Frans Eemil Sillanpää pronunciation (help·info)) (16 September 1888 – 3 June 1964) was one of the most famous Finnish writers.
He was awarded the Nobel Prize in Literature in 1939 "for his deep understanding of his country's peasantry and the exquisite art with which he has portrayed their way of life and their relationship with Nature."

Frans Eemil Sillanpää was born into a peasant family in Hämeenkyrö. Although his parents were poor, they managed to send him to school in Tampere.

In 1908 he moved to Helsinki to study medicine. Here his acquaintances included the painters Eero Järnefelt and Pekka Halonen, composer Jean Sibelius and author Juhani Aho.

In 1913 Sillanpää moved from Helsinki to his old home village and devoted himself to writing.

He won international fame for his novel Nuorena nukkunut (The Maid Silja/Fallen Asleep While Young) in 1931.

The asteroid 1446 Sillanpää, discovered by the renowned Finnish astronomer and physicist Yrjö Väisälä, was named after him.

Frans Eemil Sillanpää was born on the 16th of September, 1888, at Ylä-Satakunta in the Hämeenkyrö Parish of Finland on a desolate croft of the same name. The cottage had been built by his parents, his father Frans Henrik Henriksson, who had moved there some ten years before from Kauvatsa in the Kumo Valley, and his mother, Loviisa Vilhelmiina Iisaksdotter, whose family had lived in the Hämeenkyrö Parish from times immemorial.

Sillanpää's parents had experienced all the trials and tribulations common to generations of settlers in those parts of Finland. Frosts had killed their seeds, farm animals had perished, and the farmer's children, too, had died, until only Frans Eemil, the youngest of the offspring, was left.

There was only a mobile school for the farm children, and it was purely by accident - young Sillanpää's life was to abound in accidents - that the crofter's son, who was regarded as a bright lad, came to attend a regular school where he displayed a real aptitude for learning. Some idealists decided that nothing less than a secondary school at Tampere would do and, after giving the matter some thought, old Sillanpää consented to send his son away. For five years, Sillanpää's parents pinched and scraped to keep their son in school, after which he supported himself for another three years and, in 1908, matriculated with good marks. This was a time in Finland when a promising young man could study almost indefinitely on borrowed money, and young Sillanpää was not slow to avail himself of this miscarriage of educational zeal. He plunged into learning and his studies were as chaotic as they were long drawn-out. He did, however, choose biology as his basic subject and worked hard in the laboratory, cutting up things, studying them under the microscope, and drawing what he saw until, one fine day, he woke up to find that five years had gone by; his examination day was still far off and the kind old gentlemen who had been lending him money were not prepared to do so any longer. He scraped together enough cash to return to his home, where he found his father and mother poorer than ever. He lived in their hut and shared their meals, which could hardly excite a gourmet's palate.

His student days were over, his amorous escapades a thing of the past, but at least it was easy enough for him to start from nothing. Sillanpää acquired at a nearby village shop some stationary of the type favoured by village lads for private correspondence and wrote a short story, which he sent to the editor of a large city paper without much hope of seeing it published. To use an expression popular in those days, the story must have been written with his heart's blood because, after a very short time, it appeared on the front page of the aforesaid paper and its author received a very handsome letter from the editor's secretary, as well as his fee, which was more than welcome. The story had been published under a pen name but the literary world of Helsinki soon discovered the identity of the author and the erstwhile eternal scholar found himself, to his amazement, receiving letters of extravagant praise. After several more of his stories had been published in the same paper, something very unusual happened. He was approached by a wellknown publisher who asked to be borne in mind should Sillanpää's literary output stretch to a whole book. The publisher went so far as to offer him a reasonable advance to enable him to work in peace.

Yet another wonder - one of a series - occurred at that time. At an unimportant village dance, Sillanpää met a shy seventeen-year-old girl who, insisting that she could not dance, sat far at the back of the dance hall. In spite of her resistance, Sillanpää dragged her out onto the dance floor to discover that she could dance after all, which she proceeded to do with the utmost seriousness and concentration. This was the beginning of a twenty-five-year saga, during which Sigrid Maria (for such was the name of the seventeen-year-old girl) bore Sillanpää eight children, one of whom died. Mrs. Sillanpää died on an April morning in 1939

لا يعرف متى مات والديه لكن واضح ان طفولته كانت كارثية فهو لاب فلاحين ويبدو انهم عانوا الكثير كمهاجرين جدد من الظروف الحياة في فنلدا حيث تعرضوا لخسائر هائلة وحتى ان كل اطفالهم ماتوا الا هذا الابن. علما بأنه انفصل عنهم من اجل الدراسة وهو ما يزال صغير.

مأزوم.

Johannes Vilhelm Jensen (in Denmark always called Johannes V. Jensen; 20 January 1873 – 25 November 1950) was a Danish author, often considered the first great Danish writer of the 20th century. He was awarded the Nobel Prize in Literature in 1944. One of his sisters, Thit Jensen, was also a well-known writer and a very vocal, and occasionally controversial, early feminist.

He was born in Farsø, a village in North Jutland, Denmark, as the son of a veterinary surgeon and he grew up in a rural environment. While studying medicine at the University of Copenhagen he worked as a writer to fund his studies. After 3 years of studying he chose to change careers and devote himself fully to literature.

The first phase of his work as an author was influenced by fin-de-siècle pessimism.

His career began with the publication of Himmerland Stories (1898–1910), comprising a series of tales set in the part of Denmark where he was born. During 1900 and 1901 he wrote his first masterpiece, Kongens Fald (eng. transl. 1933 The Fall of the King), a modern historical novel centred around King Christian II and his characteristically Danish hesitancy and failure to act.
In 1906 Jensen created his greatest literary achievement: the collection of verses Digte 1906 (i.e. Poems 1906), which introduced the prose poem to Danish literature. He also wrote poetry, a few plays, and many essays, chiefly on anthropology and the philosophy of evolution.

He developed his theories of evolution in a cycle of six novels, Den lange rejse (1908–22), translated into English as The Long Journey (1923–24), which was published in a two-volume edition in 1938. This is often considered his main work in prose, a daring and often impressive attempt to create a Darwinian alternative to the Biblical Genesis myth. In this work we see the development of mankind from the Ice Age to the times of Columbus, focusing on pioneering individuals.
Like his compatriot Hans Christian Andersen, he travelled extensively; a trip to the United States inspired a poem of his, "Paa Memphis Station" [At the train station, Memphis, Tennessee], which is well known in Denmark. Walt Whitman was among the writers who influenced Jensen.

For many years he worked in journalism, writing articles and chronicles for the daily press without ever joining the staff of any newspaper.

Jensen was a controversial figure in Danish cultural life. He was a reckless polemicist and his often dubious racial theories have damaged his reputation. However, he never showed any Fascist leanings.
Today Jensen is still considered the father of Danish modernism, particularly in the area of modern poetry with his introduction of the prose poem and his use of a direct and straightforward language. His direct influence was felt as late as the 1960s. Without being a Danish answer to Kipling, Hamsun or Sandburg, he bears comparison to all three authors. He combines the outlook of the regional writer with the view of the modern academic and scientific observer. In 1999 The Fall of the King was acclaimed as the best Danish novel of the 20th century

==
Johannes Vilhelm Jensen was born in the small village of Farsø, Himmerland, in North Jutland. He was the second son of the district veterinary surgeon, Hans Jensen, a descendant on both sides of farmers and craftsmen, and Marie (Kirstine) Jensen. Jensen was taught by his mother until the age of eleven. Under the influence of his father, he developed a fasciation for Darwinism, which became the cornerstone of his thinking. Jensen graduated from the Cathedral School of Viborg in 1893, and subsequently studied medicine at the University of Copenhagen from 1893 to 1898. In 1904 he married Else Marie Ulrik; they had three sons

لا يعرف شيء عن والديه ولا متى ماتا. والدته علمته حتى سن الحادية عشرة. عاش مع عائلته في قرية صغيرة. درس في وقت لاحق في المدرسة.

مجهول الطفولة.

Gabriela Mistral (1889–1957) was the pseudonym of Lucila Godoy Alcayaga, a Chilean poet, educator, diplomat, and feminist who was the first Latin American (and, so far, the only Latin American woman) to win the Nobel Prize in Literature, in 1945. Some central themes in her poems are nature, betrayal, love, a mother's love, sorrow and recovery, travel, and Latin American identity as formed from a mixture of Native American and European influences. Her portrait also appears on the 5,000 Chilean peso bank note.

Early life
Mistral was born in Vicuña, Chile, but was raised in the small Andean village of Montegrande, where she attended the Primary school taught by her older sister, Emelina Molina. She respected her sister greatly, despite the many financial problems that Emelina brought her in later years.

Her father, Juan Gerónimo Godoy Villanueva, was also a schoolteacher. He abandoned the family before she was three years old, and died, long since estranged from the family, in 1911.

Throughout her early years she was never far from poverty. By age fifteen, she was supporting herself and her mother, Petronila Alcayaga, a seamstress, by working as a teacher's aide in the seaside town of Compañia Baja, near La Serena, Chile.

In 1904 Mistral published some early poems, such as Ensoñaciones ("Dreams"), Carta Íntima ("Intimate Letter") and Junto al Mar, in the local newspaper El Coquimbo: Diario Radical, and La Voz de Elqui using a range of pseudonyms and variations on her civil name.
Probably in about 1906, while working as a teacher, Mistral met Romelio Ureta, a railway worker, who killed himself in 1909. The profound effects of death were already in the poet's work; writing about his suicide led the poet to consider death and life more broadly than previous generations of Latin American poets. While Mistral had passionate friendships with various men and women, and these impacted her writings, she was secretive about her emotional life.
An important moment of formal recognition came on December 22, 1914, when Mistral was awarded first prize in a national literary contest Juegos Florales in Santiago(the capital of chile), with the work Sonetos de la Muerte (Sonnets of Death). She had been using the pen name Gabriela Mistral since June 1908 for much of her writing. After winning the Juegos Florales she infrequently used her given name of Lucilla Godoy for her publications. She formed her pseudonym from the two of her favorite poets, Gabriele D'Annunzio and Frédéric Mistral or, as another story has it, from a composite of the Archangel Gabriel and the Mistral wind of Provence.

Gabriela Mistral during her youth

Mistral's meteoric rise in Chile's national school system plays out against the complex politics of Chile in the first two decades of the 20th century. In her adolescence, the need for teachers was so great, and the number of trained teachers was so small, especially in the rural areas, that anyone who was willing could find work as a teacher. Access to good schools was difficult, however, and the young woman lacked the political and social connections necessary to attend the Normal School: She was turned down, without explanation, in 1907. She later identified the obstacle to her entry as the school's chaplain, Father Ignacio Munizaga, who was aware of her publications in the local newspapers, her advocacy of liberalizing education and giving greater access to the schools to all social classes.
Although her formal education had ended by 1900, she was able to get work as a teacher thanks to her older sister, Emelina, who had likewise begun as a teacher's aide and was responsible for much of the poet's early education. The poet was able to rise from one post to another because of her publications in local and national newspapers and magazines. Her willingness to move was also a factor. Between the years 1906 and 1912 she had taught, successively, in three schools near La Serena, then in Barrancas, then Traiguen in 1910, in Antofagasta, Chile in the desert north, in 1911. By 1912 she had moved to work in a liceo, or high school, in Los Andes, where she stayed for six years and often visited Santiago. In 1918 Pedro Aguirre Cerda, then Minister of Education, and a future president of Chile, promoted her appointment to direct a liceo in Punta Arenas. She moved on to Temuco in 1920, then to Santiago, where in 1921, she defeated a candidate connected with the Radical Party, Josefina Dey del Castillo to be named director of Santiago's Liceo #6, the newest and most prestigious girls' school in Chile. Controversies over the nomination of Gabriela Mistral to the highly coveted post in Santiago were among the factors that made her decide to accept an invitation to work in Mexico in 1922, with that country's Minister of Education, José Vasconcelos. He had her join in the nation's plan to reform libraries and schools, to start a national education system. That year she published Desolación in New York, which further promoted the international acclaim she had already been receiving thanks to her journalism and public speaking. A year later she published Lecturas para Mujeres (Readings for Women), a text in prose and verse that celebrates Latin America from the broad, Americanist perspective developed in the wake of the Mexican Revolution

- انفصل الاب عن العائلة وهي في سن الثالثة وعاشت حياة فقر ومعاناة ومات الاب وهو بعيد عن العائلة في عام 1911 . عاشت حياة يتم اجتمماعي وحياة ازمة يتم فعلي.


يتيمة الاب في سن الثالثة.

Hermann Hesse (German: [ˈhɛɐ̯man ˈhɛsə]; July 2, 1877 – August 9, 1962) was a German-Swiss poet, novelist, and painter. His best-known works include Steppenwolf, Siddhartha, and The Glass Bead Game, each of which explores an individual's search for authenticity, self-knowledge and spirituality. In 1946, he received the Nobel Prize in Literature.

Family background
Hermann Hesse was born on 2 July 1877 in the Black Forest town of Calw in Württemberg, Germany. Both of Hesse's parents served in India at a mission under the auspices of the Basel Mission, a Protestant Christian missionary society. Hesse's mother, Marie Gundert, was born at such a mission in India in 1842.
In describing her own childhood, she said, "A happy child I was not..." As was usual among missionaries at the time, she was left behind in Europe at the age of four when her parents went to India. In her teens she attempted to rebel against her authoritarian father, Hermann Gundert, but finally submitted.[3]

Hesse's father, Johannes Hesse, the son of a doctor, was born in 1847 in the Estonian town of Paide (Weissenstein). In his own way, Dr Hesse was just as tyrannical as Dr Gundert.[

Once Johannes Hesse was married, he moved into his father-in-law's house. Due at least in part to the crowded conditions there, in 1889 he suffered his first bout of deep depression. He continued to have such attacks of "melancholia, weeping and headaches" for the rest of his life.

Since Johannes Hesse belonged to the sizable German minority in that part of the Baltic region, which was then under the rule of the Russian Empire, his son Hermann was at birth both a citizen of the German Empire and of the Russian Empire.Hesse had five siblings, two of whom died in infancy. In 1873, the Hesse family moved to Calw, where his father worked for the Calwer Verlagsverein, a publishing house specializing in theological texts and schoolbooks. Hesse's grandfather Hermann Gundert managed the publishing house at the time, and Johannes Hesse succeeded him in 1893.

Hesse grew up in a Swabian Pietist household, with its strong tendency to insulate believers into small, deeply thoughtful groups. Furthermore, Hesse described his father's Baltic German heritage as "an important and potent fact" of his developing identity. His father, Hesse stated, "always seemed like a very polite, very foreign, lonely, little-understood guest."[7] His father's tales from Estonia instilled a contrasting sense of religion in young Hermann. "[It was] an exceedingly cheerful, and, for all its Christianity, a merry world... We wished for nothing so longingly as to be allowed to see this Estonia ... where life was so paradisiacal, so colorful and happy." Hermann Hesse's sense of estrangement from the Swabian petty bourgeoisie further grew through his relationship with his grandmother Julie Gundert, née Dubois, whose French-Swiss heritage kept her from ever quite fitting in among that milieu.[7]
From early on, Hermann Hesse appeared headstrong and hard for his family to handle. In a letter to her husband Johannes Hesse, Hermann's mother Marie wrote: "The little fellow has a life in him, an unbelievable strength, a powerful will, and, for his four years of age, a truly astonishing mind. How can he express all that? It truly gnaws at my life, this internal fighting against his tyrannical temperament, his passionate turbulence [...] God must shape this proud spirit, then it will become something noble and magnificent – but I shudder to think what this young and passionate person might become should his upbringing be false or weak."[8]

Hesse showed signs of serious depression as early as his first year at school.[9]
In his juvenilia collection Gerbersau, Hesse vividly describes experiences and anecdotes from his childhood and youth in Calw: the atmosphere and adventures by the river, the bridge, the chapel, the houses leaning closely together, hidden nooks and crannies, as well as the inhabitants with their admirable qualities, their oddities, and their idiosyncrasies. The fictional town of Gerbersau is pseudonymous for Calw, imitating the real name of a nearby town called Hirsau. It is derived from the German words gerber, meaning "tanner," and aue, meaning "meadow."[ Calw had a centuries-old leather-working industry, and during Hesse's childhood the tanneries' influence on the town was still very much in evidence. Hesse's favorite place in Calw was the St. Nicholas-Bridge (Nikolausbrücke), which is why the Hesse monument by the sculptor Kurt Tassotti was erected there in 2002.
Hermann Hesse's grandfather Hermann Gundert, a doctor of philosophy and fluent in multiple languages, encouraged the boy to read widely, giving him access to his library, which was filled with the works of world literature. All this instilled a sense in Hermann Hesse that he was a citizen of the world. His family background became, he noted, "the basis of an isolation and a resistance to any sort of nationalism that so defined my life."[7]
Young Hesse shared a love of music with his mother. Both music and poetry were important in his family. His mother wrote poetry, and his father was known for his use of language in both his sermons and the writing of religious tracts. His first role model for becoming an artist was his half-brother, Theo, who rebelled against the family by entering a music conservatory in 1885.[12] Hesse showed a precocious ability to rhyme, and by 1889–90 had decided that he wanted to be a writer.[
==
spent most of my school years in boarding schools in Wuerttemberg and some time in the theological seminary of the monastery at Maulbronn. I was a good learner, good at Latin though only fair at Greek, but I was not a very manageable boy, and it was only with difficulty that I fitted into the framework of a pietist education that aimed at subduing and breaking the individual personality. From the age of twelve I wanted to be a poet, and since there was no normal or official road, I had a hard time deciding what to do after leaving school. I left the seminary and grammar school, became an apprentice to a mechanic, and at the age of nineteen I worked in book and antique shops in Tübingen and Basle. Late in 1899 a tiny volume of my poems appeared in print, followed by other small publications that remained equally unnoticed, until in 1904 the novel Peter Camenzind, written in Basle and set in Switzerland, had a quick success. I gave up selling books, married a woman from Basle, the mother of my sons, and moved to the country. At that time a rural life, far from the cities and civilization, was my aim. Since then I have always lived in the country, first, until 1912, in Gaienhofen on Lake Constance, later near Bern, and finally in Montagnola near Lugano, where I am still living.

André Paul Guillaume Gide (French pronunciation: 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in literature in 1947. Gide's career ranged from its beginnings in the symbolist movement, to the advent of anticolonialism between the two World Wars.
Known for his fiction as well as his autobiographical works, Gide exposes to public view the conflict and eventual reconciliation between the two sides of his personality, split apart by a straitlaced education and a narrow social moralism. Gide's work can be seen as an investigation of freedom and empowerment in the face of moralistic and puritanical constraints, and gravitates around his continuous effort to achieve intellectual honesty. His self-exploratory texts reflect his search of how to be fully oneself, even to the point of owning one's sexual nature, without at the same time betraying one's values. His political activity is informed by the same ethos, as suggested by his repudiation of communism after his 1936 voyage to the USSR.

Gide was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law and died in 1880. His uncle was the political economist Charles Gide.
Gide was brought up in isolated conditions in Normandy and became a prolific writer at an early age, publishing his first novel, The Notebooks of Andre Walter (French: Les Cahiers d'André Walter), in 1891.
In 1893 and 1894, Gide traveled in Northern Africa, and it was there that he came to accept his attraction to boys]
He befriended Oscar Wilde in Paris, and in 1895 Gide and Wilde met in Algiers. There, Wilde had the impression that he had introduced Gide to homosexuality, but, in fact, Gide had already discovered this on his own.
[
The middle years

In 1895, after his mother's death, he married his cousin Madeleine Rondeaux, but the marriage remained unconsummated. In 1896, he became mayor of La Roque-Baignard, a commune in Normandy.
In 1901, Gide rented the property Maderia in St. Brelade's Bay and lived there while residing in Jersey. This period, 1901–07, is commonly seen as a period of apathy and unsettlement in his life.
In 1908, Gide helped found the literary magazine Nouvelle Revue Française (The New French Review).[5] In 1916, Marc Allégret, only 15 years old, became his lover. Marc was the son of Elie Allégret, best man at Gide's wedding. Of Allégret's five children, André Gide adopted Marc. The two fled to London, in retribution for which his wife burned all his correspondence, "the best part of myself," as he was later to comment. In 1918, he met Dorothy Bussy, who was his friend for over thirty years and who would translate many of his works into English.
In the 1920s, Gide became an inspiration for writers such as Albert Camus and Jean-Paul Sartre. In 1923, he published a book on Fyodor Dostoyevsky; however, when he defended pederasty in the public edition of Corydon (1924) he received widespread condemnation. He later considered this his most important work.
In 1923, he sired a daughter, Catherine, by Elisabeth van Rysselberghe, a woman who was much younger than him. He had known her for a long time, as she was the daughter of his closest female friend, Maria Monnom, the wife of his friend, the Belgian neo-impressionist painter Théo van Rysselberghe. This would cause the only crisis in the long-standing relationship between Allégret and Gide and damaged the relation with Van Rysselberghe. This was possibly Gide's only sexual liaison with a woman and it was brief in the extreme, but his daughter Catherine became his only descendant by blood. He liked to call Elisabeth "La Dame Blanche" ("The White Lady"). Elisabeth eventually left her husband to move to Paris and manage the practical aspects of Gide's life (they had adjoining apartments built for each of them on the rue Vavin). She worshipped him, but evidently they no longer had a sexual relationship. Gide's legal wife, Madeleine, died in 1938. Later he used the background of his unconsummated marriage in his novel Et Nunc Manet in Te.
In 1924, he published an autobiography, Unless the seed dies (French: Si le grain ne meurt).
After 1925, he began to demand more humane conditions for criminals.

[Africa

From July 1926 to May 1927, he travelled through the French Equatorial Africa colony with his lover Marc Allégret. Gide went successively to Middle Congo (now the Republic of the Congo), Oubangui-Chari (now the Central African Republic), briefly to Chad and then to Cameroun before returning to France.

- يتيم الاب في سن الـ 11
- ماتت امه في سن الـ 25
عاش حاية كارثية بسبب موت الاب مبكرا.

يتيم الاب.

توماس ستيرنز إليوت

Thomas Stearns Eliot OM (September 26, 1888 – January 4, 1965) was a publisher, playwright, literary and social critic and "arguably the most important English-language poet of the 20th century." Although he was born an American, he moved to the United Kingdom in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39.
The poem that made his name, The Love Song of J. Alfred Prufrock—started in 1910 and published in Chicago in 1915—is seen as a masterpiece of the Modernist movement, and was followed by some of the best-known poems in the English language, including Gerontion (1920), The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930), and Four Quartets (1945).[ He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948.

Early life and education
Eliot was born into the Eliot family, a middle class family originally from New England, who had moved to St. Louis, Missouri. His father, Henry Ware Eliot (1843–1919), was a successful businessman, president and treasurer of the Hydraulic-Press Brick Company in St. Louis.

His mother, Charlotte Champe Stearns (1843–1929), wrote poetry and was a social worker, a new profession in the early twentieth century.
-Eliot was the last of six surviving children; his parents were both 44 years old when he was born.
His four sisters were between eleven and nineteen years older;
his brother was eight years older. Known to family and friends as Tom, he was the namesake of his maternal grandfather Thomas Stearns.

Several factors are responsible for Eliot's infatuation with literature during his childhood.
First, Eliot had to overcome physical limitations as a child. Struggling from a congenital double hernia, a condition in which one’s intestines jut through the bowel wall and causes an abdominal rupture, Eliot was unable to participate in many physical activities and thus was prevented from interacting socially with his peers.

As Eliot was often isolated, his love of literature developed. Once he learned to read, the young boy immediately became obsessed with books and was completely absorbed in tales depicting savages, the Wild West, or Mark Twain’s thrill-seeking Tom Sawyer. In his memoir of T.S. Eliot, Eliot’s friend Robert Sencourt comments that young Eliot “would often curl up in the window-seat behind an enormous book, setting the drug of dreams against the pain of living.” Secondly, Eliot also credited his hometown with seeding his literary vision: "It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London." Thus, from the onset, literature was an essential part of Eliot's childhood and both his disability and location influenced him.

From 1898 to 1905, Eliot attended Smith Academy, where his studies included Latin, Ancient Greek, French, and German. He began to write poetry when he was fourteen under the influence of Edward Fitzgerald's Rubaiyat of Omar Khayyam, a translation of the poetry of Omar Khayyam. He said the results were gloomy and despairing, and he destroyed them. His first poem published, "A Fable For Feasters," was written as a school exercise and was published in the Smith Academy Record in February 1905. Also published there in April 1905 was his oldest surviving poem in manuscript, an untitled lyric, later revised and reprinted as "Song" in The Harvard Advocate, Harvard University's student magazine.[12] He also published three short stories in 1905, "Birds of Prey," "A Tale of a Whale" and "The Man Who Was King." The last mentioned story significantly reflects his exploration of Igorot Village while visiting the 1904 World's Fair of St. Louis.[13][14] Such a link with primitive people importantly antedates his anthropological studies at Harvard.[15]
Following graduation, Eliot attended Milton Academy in Massachusetts for a preparatory year, where he met Scofield Thayer, who would later publish The Waste Land. He studied philosophy at Harvard College from 1906 to 1909, earning his bachelor's degree after three years, instead of the usual four.[4] Frank Kermode writes that the most important moment of Eliot's undergraduate career was in 1908, when he discovered Arthur Symons's The Symbolist Movement in Literature (1899). This introduced him to Jules Laforgue, Arthur Rimbaud, and Paul Verlaine. Without Verlaine, Eliot wrote, he might never have heard of Tristan Corbière and his book Les amours jaunes, a work that affected the course of Eliot's life. The Harvard Advocate published some of his poems, and he became lifelong friends with Conrad Aiken, the American novelist.
After working as a philosophy assistant at Harvard from 1909 to 1910, Eliot moved to Paris, where from 1910 to 1911, he studied philosophy at the Sorbonne. He attended lectures by Henri Bergson and read poetry with Alain-Fournier.[4][16] From 1911 to 1914, he was back at Harvard studying Indian philosophy and Sanskrit.[4][17] Eliot was awarded a scholarship to Merton College, Oxford in 1914. He first visited Marburg, Germany, where he planned to take a summer program, but when the First World War broke out, he went to Oxford instead. At the time, so many American students attended Merton that the Junior Common Room proposed a motion "that this society abhors the Americanization of Oxford." It was defeated by two votes, after Eliot reminded the students how much they owed American culture.[18]
Eliot wrote to Conrad Aiken on New Year's Eve 1914: "I hate university towns and university people, who are the same everywhere, with pregnant wives, sprawling children, many books and hideous pictures on the walls ... Oxford is very pretty, but I don't like to be dead."[18] Escaping Oxford, Eliot actually spent much of his time in London. This city had a monumental and life-altering impact on Eliot for multiple reasons, the most significant of which was his introduction to the acclaimed literary figure Ezra Pound. A connection through Aiken resulted in an arranged meeting and on September 22, 1914, Eliot paid a visit to Pound’s flat. Pound instantly deemed Eliot “worth watching” and was imperative to Eliot’s beginning career as a poet as he is credited with promoting Eliot through social events and literary gatherings. Thus, according to biographer John Worthen, during his time in England Eliot “was seeing as little of Oxford as possible. He was instead spending long periods of time in London, in the company of Ezra Pound and "some of the modern artists whom the war has so far spared . . . . It was Pound who helped most, introducing him everywhere.”[19] In the end, Eliot did not settle at Merton, and left after a year. In 1915 he taught English at Birkbeck, University of London.
By 1916, he had completed a doctoral dissertation for Harvard on Knowledge and Experience in the Philosophy of F. H. Bradley, but he failed to return for the viva voce exam.[4][20]
[edit] Marriage

In a letter to Aiken late in December, 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on June 26, 1915.[After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed.

The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly more detached from her. Their relationship became the subject of a 1984 play Tom and Viv, which in 1994 was adapted as a film.
In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land.

ويليام كتبيرت فوكنر

William Cuthbert Faulkner (born Falkner, September 25, 1897 – July 6, 1962) was a writer and Nobel Prize laureate from Oxford, Mississippi.

Biography
William Cuthbert Faulkner was born in New Albany, Mississippi, the first of four sons to Murry Cuthbert Falkner (August 17, 1870 – August 7, 1932) and Maud Butler (November 27, 1871 – October 19, 1960).[3]ad three younger brothers: Murry Charles "Jack" Faulkner (June 26, 1899 – December 24, 1975), author John Faulkner (September 24, 1901 – March 28, 1963) and Dean Swift Faulkner (August 15, 1907 – November 10, 1935).

Faulkner was born and raised in, and heavily influenced by, his
home state of Mississippi, as well as by the history and culture of the American South altogether. Soon after Faulkner's first birthday, his family moved to Ripley, Mississippi from New Albany. Here, Murry worked as the treasurer for the family's Gulf & Chicago Railroad Company, a business Murry had been drawn to from an early age. Murry had hoped to inherit the railroad from his father, John Wesley Thompson Falkner. However, John had little confidence in Murry's ability to run a business and sold the railroad for $75,000. Following the sale of the railroad business, Murry became disappointed and planned a new start for his family by moving to Texas and becoming a rancher. Maud, however, disagreed with this proposition, and it was decided that they would move to Oxford, Mississippi, where Murry's father owned several businesses, making it easy for Murry to find work.[4]Thus, only four days prior to William's fifth birthday, the Falkner family settled in Oxford on September 21, 1902,[ where he resided on and off for the remainder of his life.

His family, particularly his mother Maud, his maternal grandmother Lelia Butler, and Caroline Barr (the black woman who raised him from infancy) crucially influenced the development of Faulkner’s artistic imagination.

Both his mother and grandmother were great readers and also painters and photographers, educating him in visual language. While Murry enjoyed the outdoors and taught his sons to hunt, track, and fish, Maud valued education and took pleasure in reading and going to church. She taught her sons to read before sending them to public school and exposed them to classics such as Charles Dickens and Grimms' Fairy Tales.[4] Faulkner's lifelong education by Callie Barr is central to his novels' preoccupations with the politics of sexuality and race.[6]
As a schoolchild, Faulkner had much success early on. He excelled in the first grade, skipped the second, and continued doing well through the third and fourth grades. However, beginning somewhere in the fourth and fifth grades of his schooling, Faulkner became a much more quiet and withdrawn child.

He began to play hooky occasionally and became somewhat indifferent to his schoolwork, even though he began to study the history of Mississippi on his own time in the seventh grade. The decline of his performance in school continued and Faulkner wound up repeating the eleventh, and then final grade, and never graduating from high school.[4]
Faulkner also spent much of his boyhood listening to stories told to him by his elders. These included war stories shared by the old men of Oxford and stories told by Mammy Callie of the Civil War, slavery, the Ku Klux Klan, and the Falkner family. Faulkner's grandfather would also tell him of the exploits of William's great-grandfather, after whom he was named, William Clark Falkner, who was a successful businessman, writer, and a Civil War hero. Telling stories about William Clark Falkner, whom the family called "Old Colonel," had already become something of a family pastime when Faulkner was a boy.[4] According to one of Faulkner's biographers, by the time William was born, his great-grandfather had "been enshrined long since as a household deity."[7]
In adolescence, Faulkner began writing poetry almost exclusively. He did not write his first novel until 1925. His literary influences are deep and wide. He once stated that he modeled his early writing on the Romantic era in late 18th century and early 19th century England.[3] He attended the University of Mississippi (Ole Miss) in Oxford, and was a member of Sigma Alpha Epsilon social fraternity. He enrolled at Ole Miss in 1919, and attended three semesters before dropping out in November 1920.[8] William was able to attend classes at the university due to his father having a job there as a business manager. He skipped classes often and received a "D" grade in English. However, some of his poems were published in campus journals.[9][10]
When he was seventeen, Faulkner met Philip Stone, who would become an important early influence on his writing. Stone was then four years from his senior and came from one of Oxford's older families. He was passionate about literature and had already earned bachelor's degrees from Yale and the University of Mississippi. At the University of Mississippi, Faulkner joined the Sigma Alpha Epsilon fraternity. There he was supported in his dream to become a writer. Stone read and was impressed by some of Faulkner's early poetry and was one of the first to discover Faulkner's talent and artistic potential. Stone became a literary mentor to the young Faulkner, introducing him to writers such as James Joyce, who would come to have an influence on Faulkner's own writing. In his early twenties, Faulkner would give poems and short stories he had written to Stone, in hopes of them being published. Stone would in turn send these to publishers, but they were uniformly rejected.[9]
The younger Faulkner was greatly influenced by the history of his family and the region in which he lived. Mississippi marked his sense of humor, his sense of the tragic position of Black and White Americans, his characterization of Southern characters, and his timeless themes, including fiercely intelligent people dwelling behind the façades of good old boys and simpletons. Unable to join the United States Army due to his height (he was 5' 5½"), Faulkner enlisted in a reservist unit of the British Armed Forces. Despite his claims to have done so, records now available to the public indicate that Faulkner was never actually a member of the British Royal Flying Corps and never saw service during the First World War.[11]
In 1918, Faulkner himself made the change to his surname from the original "Falkner." However, according to one story, a careless typesetter simply made an error. When the misprint appeared on the title page of his first book, Faulkner was asked whether he wanted a change. He supposedly replied, "Either way suits me." Although Faulkner is heavily identified with Mississippi, he was residing in New Orleans, Louisiana in 1925 when he wrote his first novel, Soldiers' Pay,[3] after being directly influenced by Sherwood Anderson to attempt fiction writing. Anderson also assisted in the publication of Soldier's Pay and of Mosquitoes, Faulkner's second novel, by recommending them both to his own publisher.[13] The miniature house at 624 Pirate's Alley, just around the corner from St. Louis Cathedral in New Orleans is now the premises of Faulkner House Books, where it also serves as the headquarters of the Pirate's Alley Faulkner Society.[14]
During the summer of 1927, Faulkner wrote his first novel set in his fictional Yoknapatawpha County, entitled Flags in the Dust. This novel drew heavily on the traditions and history of the South, in which Faulkner had been engrossed in his youth. He was very proud of his novel upon its completion and he believed it to be a significant improvement from his previous two novels. However, when submitted for publication, it was rejected by the publishers Boni & Liveright. This came as a huge shock to Faulkner, but he eventually allowed his literary agent, Ben Wasson to significantly edit the text and the novel was finally published in 1928 as Sartoris.
In the fall of 1928, when Faulkner was thirty years old, he began working on The Sound and the Fury. He started by writing three short stories about a group of children with the last name Compson, but Faulkner soon began to feel that the characters he had created would be better suited for a full-length novel. Perhaps as a result of his disappointment in the initial rejection of Flags in the Dust, Faulkner had now become indifferent to his publishers and wrote this novel in a much more experimental style. In describing his writing process for this work, Faulkner would later say, "One day I seemed to shut the door between me and all publisher’s addresses and book lists. I said to myself, Now I can write."[15] After its completion, Faulkner this time insisted that Ben Wasson not do any editing or add any punctuation for clarity.[10]
In 1929 Faulkner married Estelle Oldham. Estelle brought with her two children from her previous marriage to Cornell Franklin and Faulkner intended to support his new family as a writer. Beginning in 1930, Faulkner sent out some of his short stories to various national magazines. Several of his stories were published and this brought him enough income to buy a house in Oxford for his family to live in, which he named "Rowan Oak."[16]

By 1932, however, Faulkner was in a much less secure financial position. He had asked his agent, Ben Wasson to sell the serialization rights for his newly completed novel, Light in August, to a magazine for $5,000, but no magazine accepted the offer. Then, MGM Studios offered Faulkner work as a screenwriter in Hollywood. While Faulkner was not a fan of film, he needed the money, and so he accepted the job offer and arrived in Culver City California in May 1932. There he worked with director Howard Hawks, with whom he got along well, as they both enjoyed drinking and hunting. Howard Hawks' brother William Hawks became Faulkner's Hollywood agent. Faulkner would continue to find work as a screenwriter for years to come throughout the 1930s and 1940s.[13][16]
Faulkner served as Writer-in-Residence at the University of Virginia at Charlottesville from February to June 1957 and again in 1958.[17] He suffered serious injuries in a horse-riding accident in 1959, and died from a myocardial infarction, aged 64, on July 6, 1962, at Wright's Sanitorium in Byhalia, Mississippi.[3][5] He is buried along with his family in St. Peter's Cemetery in Oxford, along with a family friend with the mysterious initials E.T.[18]

Personal life
As a teenager in Oxford, Faulkner dated Estelle Oldham, the popular daughter of Major Lemuel and Lida Oldham, and believed he would some day marry her. However, Estelle dated other boys during their romance, and one of them, Cornell Franklin, ended up proposing marriage to her before Faulkner did, in 1918. Estelle's parents insisted she marry Cornell, as he was an Ole Miss law graduate, had recently been commissioned as a major in the Hawaiian Territorial Forces, and came from a respectable family with which they were old friends. Estelle's marriage to Franklin fell apart ten years later, and she was divorced in April 1929.[21] Faulkner married Estelle in June 1929 at College Hill Presbyterian Church just outside of Oxford, Mississippi.[22] They honeymooned on the Mississippi Gulf Coast at Pascagoula, then returned to Oxford, first living with relatives while they searched for a home of their own to purchase. In 1930 Faulkner purchased the antebellum home Rowan Oak, known at that time as "The Shegog Place" from Irish planter Robert Shegog. He and his daughter, Jill, lived at Rowan Oak until after her mother's death.

The property was sold to the University of Mississippi in 1972. The house and furnishings are maintained much as they were in Faulkner's day. Faulkner's scribblings are still preserved on the wall there, including the day-by-day outline covering an entire week that he wrote out on the walls of his small study to help him keep track of the plot twists in the novel A Fable.
The quality and quantity of Faulkner's literary output were achieved despite a lifelong drinking problem. Since he rarely drank while writing, instead preferring to binge after a project's completion, it is generally agreed that his alcohol use was an escape from the pressures of everyday life and unrelated to his creativity.[ Whatever the source of his addiction, it undoubtedly weakened his health.
Faulkner died on July 6, 1962

مأزوم بسبب قصره ربما ويظهر انه كان منعزلا وهو طالب ورغم تفوقه المبكر لكنه ما لبث ان تراجع في تحصيله الدراسي ولم يتخرج من الثانوية. من عناصر التأثير المهمة عليه تنقلاته وسكن بقرب النهر والمربية التي ربته وهي امرأة من اصول افريقية.

مأزوم.

برتراند أرثر ويليام راسل

Bertrand Arthur William Russell, 3rd Earl Russell, OM, FRS (18 May 1872 – 2 February 1970) was a British philosopher, logician, mathematician, historian, and social critic.

Russell led the British "revolt against idealism" in the early 20th century. He is considered one of the founders of analytic philosophy along with his predecessor Gottlob Frege and his protégé Ludwig Wittgenstein. He is widely held to be one of the 20th century's premier logicians. He co-authored, with A. N. Whitehead, Principia Mathematica, an attempt to ground mathematics on logic. His philosophical essay "On Denoting" has been considered a "paradigm of philosophy." Russell was a prominent anti-war activist; he championed anti-imperialism and went to prison for his pacifism during World War I. Later, he campaigned against Adolf Hitler, then criticised Stalinist totalitarianism, attacked the United States of America's involvement in the Vietnam War, and was an outspoken proponent of nuclear disarmament. In 1950 Russell was awarded the Nobel Prize in Literature, "in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought.

Ancestry
Bertrand Russell was born on 18 May 1872 at Ravenscroft, Trellech, Monmouthshire, Wales, into an influential and liberal family of the British aristocracy. His paternal grandfather, John Russell, 1st Earl Russell, was the third son of John Russell, 6th Duke of Bedford, and had twice been asked by Queen Victoria to form a government, serving her as Prime Minister in the 1840s and 1860s.[12]

The Russells had been prominent in England for several centuries before this, coming to power and the peerage with the rise of the Tudor dynasty. They established themselves as one of Britain's leading Whig families, and participated in every great political event from the Dissolution of the Monasteries in 1536–40 to the Glorious Revolution in 1688–89 and the Great Reform Act in 1832.[12]Russell's mother, Katharine Louisa (1844–1874), was the daughter of Edward Stanley, 2nd Baron Stanley of Alderley, and the sister of Rosalind Howard, Countess of Carlisle.[9] Kate and Rosalind's mother was one of the founders of Girton College, Cambridge.
Russell's parents were radical for their times. Russell's father, Viscount Amberley, was an atheist and consented to his wife's affair with their children's tutor, the biologist Douglas Spalding. Both were early advocates of birth control at a time when this was considered scandalous. John Russell's atheism was evident when he asked the philosopher John Stuart Mill to act as Russell's secular godfather. Mill died the year after Russell's birth, but his writings had a great effect on Russell's life.

Russell had two siblings: Frank (nearly seven years older than Bertrand), and Rachel (four years older). In June 1874 Russell's mother died of diphtheria, followed shortly by Rachel's death.

In January 1876, his father died of bronchitis following a long period of depression. Frank and Bertrand were placed in the care of their staunchly Victorian paternal grandparents, who lived at Pembroke Lodge in Richmond Park. His grandfather, former Prime MinisterJohn Russell, died in 1878, and was remembered by Russell as a kindly old man in a wheelchair. His grandmother, the Countess Russell (née Lady Frances Elliot), was the dominant family figure for the rest of Russell's childhood and youth.[]

The countess was from a Scottish Presbyterian family, and successfully petitioned the Court of Chancery to set aside a provision in Amberley's will requiring the children to be raised as agnostics. Despite her religious conservatism, she held progressive views in other areas (accepting Darwinism and supporting Irish Home Rule), and her influence on Bertrand Russell's outlook on social justice and standing up for principle remained with him throughout his life—her favourite Bible verse, 'Thou shalt not follow a multitude to do evil' (Exodus 23:2), became his motto. The atmosphere at Pembroke Lodge was one of frequent prayer, emotional repression, and formality; Frank reacted to this with open rebellion, but the young Bertrand learned to hide his feelings.

Russell's adolescence was very lonely, and he often contemplated suicide. He remarked in his autobiography that his keenest interests were in religion and mathematics, and that only the wish to know more mathematics kept him from suicide.[17] He was educated at home by a series of tutors. His brother Frank introduced him to the work of Euclid, which transformed Russell's life.

طفولة كارثية بكل ما في الكلمة من معنى.
- الام ماتت وعمره سنتان ( 2 ).
- الاب مات وعمره اربع سنوات ( 4 ) بعد اصابته بالكآبة لمدة طويلة.
- الجد مات وهو في وعمره 6 سنوات.
- قضى فترة شبابه في وحدة ولطالما فكر في الانتحار.
ملاحظة: لا عجب اذا ان يكون (فيلسوف وعالم منطق ورياضي ومؤرخ وناقد اجتماعي واديب وداعية سلام ومناضل ضد الامبرالية ةالسلاح النووي الخ.مثل قيادة الثورة ضد المثالية ) وقد تعرض لكل تلك المصائب والصدمات في طفولتة المبكرة). فهو على شاكلة نيوتن متعدد المواهب وفي ذلك ما يؤكد ان العلاقة بين المصائب والمآسي والعبقرية علاقة طردية.

Pär Fabian Lagerkvist (23 May 1891 – 11 July 1974) was a Swedish author who was awarded the Nobel Prize in Literature in 1951.
Lagerkvist wrote poems, plays, novels, stories, and essays of considerable expressive power and influence from his early 20s to his late 70s. Among his central themes was the fundamental question of good and evil, which he examined through such figures as the man who was freed instead of Jesus, Barabbas, and the wandering Jew Ahasuerus. As a moralist, he used religious motifs and figures from the Christian tradition without following the doctrines of the church.

Biography and works
Lagerkvist was born in Växjö (Småland).
Lagerkvist received a traditional religious education - he would say, with little exaggeration, that he "had had the good fortune to grow up in a home where the only books known were the Bible and the Book of Hymns". In his teens he broke away from Christian beliefs, but unlike many other writers and thinkers in his generation he did not become vehemently critical of religious beliefs as such. Though he was politically a socialist for most of his life, he never indulged in the idea that "religion is the opium of the people". Much of his writing is informed by a lifelong interest in man and his symbols and gods and in the position of Man (both as individual and mankind) in a world where the Divine is no longer present, no longer speaking.
In his early years Lagerkvist supported modernist and aesthetically radical views, as shown by his manifesto Ordkonst och bildkonst (word art and picture art) (1913) and the plays Den Svåra Stunden ("The Difficult Hour").
One of the author's earliest works is Ångest (Anguish, 1916), a violent and disillusioned collection of poems.
His anguish was derived from his fear of death, the World War, and personal crisis.
He tried to explore how a person can find a meaningful life in a world where a war can kill millions for very little reason. "Anguish, anguish is my heritage / the wound of my throat / the cry of my heart in the world."
("Anguish", 1916.) "Love is nothing. Anguish is everything / the anguish of living." ("Love is nothing", 1916.) This pessimism, however, slowly faded, as testified by his subsequent works, Det eviga leendet (The Eternal Smile, 1920), the autobiographical novel Gäst hos verkligheten (Guest of Reality, 1925) and the prose monologue Det besegrade livet (The defeated Life, 1927), in which the faith in man is predominant. From The Eternal Smile on, his style largely abandoned the expressionist pathos and brusque effects of his early works and there was a strong striving for simplicity, classical precision and clean telling, sometimes appearing close to naivism. The content, however, was never truly naive. A Swedish critic remarked that "Lagerkvist and John the Evangelist are two masters at expressing profound things with a highly restricted choice of words".
Ten years after Ångest, Lagerkvist married for the second time, a union which was to provide a pillar of safety in his life until the death of his wife forty years later. Hjärtats sånger (Songs of the Heart) (1926) appeared at this time, bearing witness to his pride and love for his consort.. This collection is much less desperate in its tone than Ångest, and establlished him as one of the foremost Swedish poets of his generation.
His prose novella Bödeln ("The Hangman", 1933), later adapted for the stage, (The Hangman, 1933; play, 1934) shows his growing concern with the totalitarianism and brutality that began to sweep across Europe in the years prior to World War II. Nazism was one of the main butts of the work and Der Stürmer responded with a very dismissive review. Criticism against Fascism is also present in the play Mannen utan själ (The Man Without a Soul, 1936).
Lagerkvist's 1944 novel Dvärgen (The Dwarf), a searching, ironic tale about evil, was the first to bring him positive international attention outside of the Nordic countries. The work was followed in 1949 by the unusual, lyrical play Låt människan leva (Let Man Live).
Barabbas (1950), which was immediately hailed as a masterpiece (by, among others, fellow Nobel laureate André Gide) is probably Lagerkvist's most famous work. The novel is based on a Biblical story. Jesus of Nazareth was sentenced to die by the Roman authorities immediately before the Jewish Passover, when it was customary for the Romans to release someone convicted of a capital offense. When the Roman procurator Pontius Pilate offers to free Jesus or Barabbas, a convicted thief and murderer, a Jerusalem mob demands the release of Barabbas, who spends the rest of his life trying to come to terms with why he was chosen to live.
The novel was filmed in 1962, with Anthony Quinn playing the title role.
Lagerkvist died in Stockholm.
==
Pär Lagerkvist was born on May 23, 1891, in Växjö, Småland, the youngest of seven children in a traditional and deeply religious family. His father, a railroad employee, refused to join his trade union because he believed that it contradicted God's established order. Despite his parents' devout beliefs and daily readings from the bible at home, Lagerkvist developed an alternative view of religion at a tender age, becoming in his own words, "a believer without faith, a religious atheist." He formed a group called "The Red Ring" with four friends and they discussed topics such as religion, anarchy, socialism, and evolutionism. Darwin's Origin of Species profoundly influenced the young group; Lagerkvist later wrote that it disturbed, "the very foundation of the transcendental view of the world."