الموضوع: ما سر "الروعة" في افضل مائة رواية عالمية؟ دراسة بحثية
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قديم 06-13-2013, 09:34 AM
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تابع .........العناصر التي شكلت الروعة في رواية:13ـ شارترهاوس أوف بارما،للمؤلف ستاندال

- The book then describes in great detail how Gina and Count Mosca live and operate in the court of the Prince of Parma (named Ranuce-Erneste IV).
- Stendhal, who spent decades as a professional diplomat in northern Italy, gives a lively and interesting account of the court, though all of what he describes is entirely fictional, as Parma was ruled by Marie Louise, Duchess of Parma during the time of the novel.
- So much attention is given to Gina and Count Mosca that some have suggested that these two are the true heroes of the novel.

- After several years in Naples, during which he has many affairs with local women, Fabrice returns to Parma and shortly gets involved with a young actress whose manager/lover takes offense and tries to kill Fabrice.
- In the resulting fight Fabrice kills the man and then flees Parma, fearing, rightly, that he will not be treated justly by the courts.

- However, his efforts to avoid capture are unsuccessful, and he is brought back to Parma and imprisoned in the Farnese Tower, the tallest tower in the city. His aunt, Gina, in great distress at what she feels will lead to Fabrice's certain death, goes to beg the Prince for his life. The Prince wants Gina to offer herself to him in exchange for Fabrice's freedom and is nonplussed when she refuses to agree to his implied offer.

- For the next nine months Gina schemes to have Fabrice freed and manages to get secret messages relayed to him in the tower. The Prince keeps hinting that Fabrice is going to be executed (or poisoned) as a way to put pressure on Gina. Meanwhile, Fabrice is oblivious to his danger and is living happily because he has fallen in love with the commandant's daughter, Clélia Conti, who he can see from his prison window as she tends her caged birds. They fall in love, and after some time he persuades her to communicate with him by means of letters of the alphabet printed on sheets ripped from a book (something like a pre-modern keyboard).

- Gina finally helps Fabrice escape from the Tower by having Clélia smuggle three long ropes to him. The only thing that concerns Fabrice is whether he will be able to meet Clélia after he escapes. But Clélia, who has sacrificed the health of her father because of her beloved, promises the Virgin that if her father recovers she shall never see Fabrice again and will do anything her father says.
Gina leaves Parma and puts in motion a plan to have the Prince of Parma assassinated.

- Count Mosca stays in Parma, and when the Prince does die (perhaps poisoned by Gina's poet/bandit/assassin) he puts down an attempted revolt by some local revolutionaries and gets the son of the Prince installed on the throne.

- Fabrice voluntarily returns to the Farnese Tower to see Clélia and is almost poisoned there. To save him, Gina promises to give herself to the new Prince. She keeps her promise but immediately leaves Parma afterwards.

- Gina never returns to Parma, but she marries Count Mosca. Clélia, to help her father who was disgraced by Fabrice's escape, marries the wealthy man her father has chosen for her, and so she and Fabrice live unhappily because of the promise she made to never see him again.

- Once he is acquitted of murdering the actress's manager/lover, Fabrice assumes his duties as a powerful man of the Catholic Church and a preacher whose sermons become the talk of the town.

- The only reason he gives these sermons, Fabrice says, is in the hope that Clélia will come to one and he can see her and speak to her.

- After 14 months of suffering for both, she agrees to meet with him every night, but only on the condition that it is in darkness, lest she break her vow to the Madonna to never see him again and they both be punished for her sin. A year later she bears Fabrice's child.

- When the boy is two years old, Fabrice insists that he should take care of him in the future, because he is feeling lonely and suffers that his own child won't love him. The plan he and Clélia devise is to fake the child's illness and death and then establish him secretly in a large house nearby, where Fabrice and Clélia can come to see him each day.

- As it turns out, after several months the child actually does die, and Clélia dies a few months after that. After her death, Fabrice retires to the Charterhouse of Parma, which gives the book its title, where he spends less than a year before he also dies.

- Gina, the Countess Mosca, who had always loved Fabrice, dies a short time after that.

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الايتام لديهم فرصة اكبر لانتاج روايات عالمية تعرف لماذا هنا:

فيديوهات حول العلاقة بين اليتم والعبقرية.." نظريتي في تفسير الطاقة الابداعية.....النظرية البوزيترونية "...

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