الفرد جاري يتم الاب وآلام في سن 17

Alfred Jarry (8 September 1873 – 1 November 1907) was a French
symbolist writer best known for coining the term and philosophical concept of 'pataphysics, "inspiring a century of experimentation".[1]
Born in Laval, Mayenne, France, not far from the border of Brittany; he was of Breton descent on his mother's side. In his lifetime, though associated with the Symbolist movement, Jarry was best known for his play Ubu Roi (1896), which is oftencited as a forerunner to the Surrealist and Futurist movements of the 1920s and 1930s. Jarry wrote in a variety of hybrid genres and styles, prefiguring the 'Postmodern. He wrote plays, novels, poetry, essays and speculative journalism. His texts present us with pioneering work in the fields of absurdist literature and postmodern philosophy.
A precociously brilliant student, Jarry enthralled his classmates with a gift for pranks and troublemaking.
At the lycée in Rennes when he was 15, he led a group of boys who devoted much time and energy to poking fun at their well-meaning, but obese and incompetent physics teacher, a man named Hébert. Jarry and classmate Henri Morin wrote a play they called Les Polonais and performed it with marionettes in the home of one of their friends. The main character, Père Heb, was a blunderer with a huge belly; three teeth (one of stone, one of iron, and one of wood); a single, retractable ear; and a misshapen body. In Jarry's later work Ubu Roi, Père Heb would develop into Ubu, one of the most monstrous and astonishing characters in French literature.
At 17 Jarry passed his baccalauréat and moved to Paris to prepare for admission to the École Normale Supérieure. Though he was not admitted, he soon gained attention for his original poems and prose-poems. A collection of his work, Les minutes de sable mémorial, was published in 1893.