منتديات منابر ثقافية - عرض مشاركة واحدة - هل تولد الحياة من رحم الموت؟؟؟ دراسة بحثية

06-10-2011, 03:22 PM

المشاركة 735

ايوب صابر

مراقب عام سابقا

اوسمتي

مجموع الاوسمة: 4



ديل ويزرمان

Dale Wasserman
From Wikipedia, the free encyclopedia

Dale Wasserman (November 2, 1914 – December 21, 2008) was an American playwright.

Early life
Dale Wasserman was born in Rhinelander, Wisconsin, and was orphaned at the age of nine. He lived in a state orphanage and with an older brother in South Dakota before he "hit the rails". He later said:
“
I'm a self-educated hobo. My entire adolescence was spent as a hobo, riding the rails and alternately living on top of buildings on Spring Street in downtown Los Angeles. I regret never having received a formal education. But I did get a real education about human nature.[2]

”

Career
Wasserman worked in various aspects of theatre from the age of 19. His formal education ended after one year of high school in Los Angeles. It was there that he started as a self-taught lighting designer, director and producer, starting with musical impresario Sol Hurok as stage manager and lighting design and for the Katherine Dunham Company, where he invented lighting patterns imitated later in other dance companies. In addition to U.S. cities, he produced and directed abroad in places such as London and Paris.
In the middle of directing a Broadway musical; which he later refused to name; he abruptly walked out, later saying he "couldn't possibly write worse than the stuff [he] was directing", and left his previous occupations to become a writer. "Every other function was interpretive; only the writer was primary."
Matinee Theatre, the television anthology which presented his first play, Elisha and the Long Knives, received a collective Emmy for the plays it produced in 1955, the year that Elisha and the Long Knives was telecast on that series (it had originally been shown in 1954, on Kraft Television Theatre, another anthology). Wasserman wrote some 30 more television dramas, making him one of the better known writers in the Golden Age of Television. "Man of La Mancha," which first appeared as a straight play on TV,is frequently and erroneously called "an adaptation" of "Don Quixote": It is not. It is a completely original work that uses scenes from "Don Quixote" to illuminate Miguel Cervantes' life. Don Quixote was Cervantes' Man of La Mancha; it was Cervantes himself who was Dale Wasserman's Man of La Mancha. Man of La Mancha ran for five years on Broadway and continues worldwide in more than 30 languages.
Dale Wasserman adapted Ken Kesey's novel One Flew Over the Cuckoo's Nest into a play also titled One Flew Over the Cuckoo's Nest which ran for six years in San Francisco and has had extensive engagements in Chicago, New York, Boston and other U.S. cities. Foreign productions have appeared in Paris, Mexico, Sweden, Argentina, Belgium, and Japan. Kesey is said to have told Dale that but for the play, the novel would have been forgotten.
Dale Wasserman was a founding member and trustee of The Eugene O'Neill Theatre Center and was the artistic Director of the Midwest Playwrights Laboratory, which encompasses 12 states in its program and awards fellowships and production to 10 playwrights yearly.[citation needed]
Recently, research by Howard Mancing, a Miguel Cervantes scholar and Professor of Spanish Literature at Purdue University, uncovered an earlier use of the line "To dream the impossible dream, to fight the unbeatable foe," which were made famous in Wasserman's Man of La Mancha. The lines were actually invented for publicity matter that accompanied an earlier stage adaptation of Don Quixote by the American playwright Paul Kester, first performed in 1908. The phrase "To each his Dulcinea", featured in Wasserman's play, was also first used in the Kester play.
At the time of his death, Dale Wasserman had, arguably, some fine and thought-provoking work ready to be produced: "Players in the Game", set in 1316 Prague, poses the question: Is fiery, incorruptible zealotry necessarily to be preferred to benign corruption. The operative word here being "benign"? ; "Montmartre,"' is a musical set in early 20th century Paris, the two main protagonists are Kiki, the most sought-after model of her day (an actual person), and a cynnical mature man being confronted by his idealistic younger self.
Personal life
Reclusive by nature, Wasserman and his wife, Martha Nelly Garza, made their home in Arizona ("because it's the one State which refuses to adopt Daylight Saving Time"). Dale's first marriage, to actress Ramsay Ames ended in divorce, He married Martha Nelly in 1984. She survires him, is his executrix/executor and holds the rights to all his work.
Wasserman died of heart failure on December 21, 2008 in Arizona, aged 94. [3][4]
Works
Plays
· 1963 One Flew Over the Cuckoo's Nest was based on a 1962 novel byKen Kesey. In 1975 it was made into an Academy Award-winning film. Wasserman and star Jack Nicholson have contrasting remembrances of the original production. Although Wasserman adapted Ken Kesey's One Flew Over the Cuckoo's Nest for the American stage in 1963, his playscript was not used as the basis for the film, and Wasserman did not write the movie screenplay.
· 2001 How I Saved the Whole Damn World — A sailor on a drunken spree welds items from a junkyard into the mast of his ship. A plane flying overhead explodes, creating an all-powerful weapon and, indirectly, world peace.
· Boy On Blacktop Road — An investigation takes place related to the arrival and subsequent disappearance of a young boy.
The latter two plays comprise the World Premiere of Open Secrets which opened In June 2006 at the Rubicon Theatre Company in Ventura, California.
Musical theatre
· 1966 Man of La Mancha (music by Mitch Leigh and lyrics by Joe Darion) won multiple Tony Awards, including Best Musical, and is among the longest-running Broadway musicals of all time. Originally written for television as a non-musical titled I, Don Quixote.

رد مع الإقتباس