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افتراضي
سيغريد أوندست
هي أديبة نرويجية ولدت 20 مايو 1882 وتوفي في 10 يونيو 1949. ولدت سيغريد أوندست في الدنمارك ولكن عائلتها استقرت في النرويج. في سنة 1924 اعتنقت الكاثولوكية. في سنة 1940 هربت من النرويج إلى الولايات المتحدة الأمريكية وذلك بسبب وصول النازية إلى بلادها ولكنها عادت بعد الحرب العالمية الثانية. حصلت على جائزة نوبل في الأدب لسنة 1928.

Undset (20 May 1882 – 10 June 1949) was a Norwegian novelist who was awarded the Nobel Prize for Literature in 1928.[1]
Undset was born in Kalundborg, Denmark, but her family moved to Norway when she was two years old. In 1924, she converted to Roman Catholicism. She fled Norway for the United States in 1940 because of her opposition to Nazi Germany and the German occupation, but returned after World War II ended in 1945.
Her best-known work is Kristin Lavransdatter, a trilogy about life in Scandinavia in the Middle Ages portraying the life of a woman from birth until death. The book was published from 1920 to 1922 in three volumes. Undset was awarded the Nobel Prize for Literature partly for this trilogy, as well as her four-volume work about Olav Audunssøn known as The Master of Hestviken tetralogy, published in 1925 and 1927.

Early life

Sigrid Undset was born on 20 May 1882, in the small town of Kalundborg, Denmark, at the childhood home of her mother, Charlotte Undset, born Anna Maria Charlotte Gyth (1855–1939). Sigrid was the eldest of three daughters. She came to Norway at the age of two.
She grew up in Kristiania, the Norwegian capital (the name was changed back to Oslo in 1924).
When she was only 11 years old, her father, the Norwegian archaeologist Ingvald Martin Undset (1853–1893), died at the age of 40 after a long illness.

Due to the family's economic situation, Undset had to give up hope of a university education. After a one-year secretarial course, at the age of 16, she got a job as secretary with an engineering company in Kristiania, a post she held for 10 years.
She later served as chairman of the Society of Norwegian Authors.?]

Writer
While employed at office work, Sigrid Undset wrote and studied. She was 16 years old when she made her first attempt at writing a novel set in the Nordic Middle Ages. The manuscript, a historical novel set in medieval Denmark, was ready by the time she was 22. It was turned down by the publishing house.
All the same, two years later she had completed another manuscript; much less voluminous this time, only 80 pages. She had put aside the Middle Ages, and had instead produced a realistic description of a woman with a middle-class background in contemporary Kristiania. This book was also refused by the publishers at first, but it was subsequently accepted. The title was Fru Marta Oulie, and the opening sentence (the words of the book's main character) scandalised the readers: "I have been unfaithful to my husband".
Thus, at the age of 25, Sigrid Undset made her literary debut with a short realistic novel on adultery, set against a contemporary background. It created a stir, and she found herself ranked as a promising young author in Norway. During the years up to 1919, Undset published a number of novels set in contemporary Kristiania. Her contemporary novels of the period 1907-1918 are about the city and its inhabitants. They are stories of working people, of trivial family destinies, of the relationship between parents and children. Her main subjects are women and their love. Or, as she herself put it—in her typically curt and ironic manner -- "the immoral kind" (of love).
This realistic period culminated in the novels Jenny (1911) and Vaaren (Spring) (1914). The first is about a woman painter who, as a result of romantic crises, believes that she is wasting her life, and in the end commits suicide. The other tells of a woman who succeeds in saving both herself and her love from a serious matrimonial crisis, finally creating a secure family. These books placed Undset apart from the incipient women's emancipation movement in Europe.
Undset's books sold well from the start, and after the publication of her third book, she left her office job and prepared to live on her income as a writer. Having been granted a writer's scholarship, she set out on a lengthy journey in Europe. After short stops in Denmark and Germany, she continued to Italy, arriving in Rome in December 1909, where she remained for nine months. Undset's parents had had a close relationship with Rome, and during her stay there she followed in their footsteps. The encounter with Southern Europe meant a great deal to her; she made friends within the circle of Scandinavian artists and writers in Rome.
Marriage and divorce

In Rome, Undset met Anders Castus Svarstad, a Norwegian painter, whom she married almost three years later. She was 30; Svarstad was nine years older, he was married, and he had a wife and three children in Norway. It was nearly three years before Svarstad got his divorce from his first wife.
Sigrid and Anders were married in 1912 and went to stay in London for six months. From London, they returned to Rome, where Sigrid's first child was born in January 1913. It was a boy, and he was named after his father. In the years up to 1919, she had another child of her own, and the household also included Svarstad's three children from his first marriage. These were difficult years: her second child, a girl, was mentally handicapped, as was one of Svarstad's sons.
She continued writing, finishing her last realistic novels and collections of short stories. She also entered the public debate on topical themes: women's emancipation and other ethical and moral issues. She had considerable polemical gifts, and was critical of emancipation as it was developing, and of the moral and ethical decline she felt was threatening in the wake of the First World War.
In 1919, she moved to Lillehammer, a small town in the Gudbrandsdalen, a valley in south-east Norway, taking her two children with her. She was then expecting her third child. The intention was that she should take a rest at Lillehammer and move back to Kristiania as soon as Svarstad had their new house in order. However, the marriage broke down and a divorce followed. In August 1919, she gave birth to her third child, at Lillehammer. She decided to make Lillehammer her home, and within two years, Bjerkebæk, a large house of traditional Norwegian timber architecture, was completed, along with a large fenced garden with views of the town and the villages around. Here she was able to retreat and concentrate on her writing.
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