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47ـ الطريق إلىالهند، للمؤلف إي. إم. فورستر.

هذه المقالة قمت بترحمتها ونشرها في احدى الصحف المحلية قبل عدة أشهر بأسمي الحقيقي ...
الطريق إلى الهــــند
Passage to India
للقصصي الإنجليزي
إ. م فورستر
E. M. froster

هذه هي خاتمة قصة " رحلة إلى الهند "A Passage to India لعملاق القصة الإنجليزي المعاصر إ.م . فوستر E.M Forster وجدير أن نذكر أن فوستر قضى فترة طويلة من شبابه خلال الحرب العالمية الأولى في مصر . ضمن فريق الصليب الأحمر في الإسكندرية . وقد أثمرت هذه الإقامة العديد من المقالات الأسبوعية التي كان ينشرها تباعا في الأجبشيان جازيت ، كما أثمرت كتابين هامين عن مدينة الإسكندرية أولهما Alexandria : a History. and a Guide والآخر هو Pharos and PhariIIon
ولعل قصة " رحلة إلى الهند " قد اختمرت في مخيلته كحيلة لتجربة إقامته في مصر . فقد بدأ هذه القصة أثناء زيارته الأولى للهند قبل مجيئه إلى مصر . ثم ألقاها جانباً . ثم تناولها مرة أخرى بعد أن عاود زيارة الهند عام 1921م . وأكمل القصة في إنجلترا عام 1924م . تخللت إقامته في مصر هاتين الزيارتين ، وأنضجت إحساسه بالمواجهة بين حضارتي الشرق والغرب والصراع القائم بينهما وهو الموضوع الرئيسي لقصة " رحلة إلى الهند " .
ومحور الحكاية هو مقدم بمسز مور مع خطيبة ابنها مس كوستد إلى بلدة شندرابور بالهند حيث يعمل ابنها رونى وكيلا للنيابة . وهى رحلة تهدف مس كوستد من خلالها أن تخبر الحياة في الهند استعداداً للإقامة الدائمة فيها . غير أن الأمر ليس بهذه البساطة إذ تفجر هذه القرية . وهو ليس صراع بين قوميات بين الجالية الإنجليزية الحاكمة ، والهنود المحكومين فحسب . بل هو صراع بين القديم والحديث . بين الشرق والغرب . وهو أيضاً صراع بين ثلاث من الدينات الكبرى الإسلام . والمسيحية والبوذية . غير أن هذه الصراعات المتأججة المتوهجة ، تخفى تحتها رغبة جامحة . وحنيناً شديداً نحو التلاقي والتواصل بين بنى الإنسان .
ويقسم فورستر القصة إلى أقسام ثلاثة فيرمز للقسم الأول بالمسجد وللثاني بالكهف وللثالث بالمعبد . وهذه الرموز - فضلا عن أنها ترمز لحضارات وديانات مختلفة إلا أنها تحدد - بالنسبة للقصة - المحاور الثلاثة التي تدور حولها هذه العلاقات المزدوجة التي تنطوي على التنافر والتلاحم في آن معا. فالمسجد هو المكان الذي التقى فيه عزيز الطبيب الهندي المسلم وبطل القصة - بمسز مور الوافدة الإنجليزية التي علقت بشخصيتها مسحة من التصوف . وهو لقاء بدأ بشيء من التشكك وانتهى بألفة أذابت ما بين الطرفين من اختلاف جنسي وديني .
أما الكهف - عنوان القسم الثاني - فهو إشارة إلى كهوف مالابار الأسطورية المظلمة . حيث كان اللقاء بين الدكتور عزيز ومس كوستد وهو لقاء بدأ بالألفة ولكنه انتهى بالمحنة التي أودت بعزيز متهماً بهتك عرض مس كوستد ومحاكمته. وفى هذا القسم يصل الصراع بين الأطراف إلى قمته .
أما في القسم الثالث والأخير فنحن في المعبد حيث يقام احتفال ديني يؤمه البوذيون بمناسبة عيد مولد اله الحب . وتتلى الترانيم تيمناً بهذا الإله . وطبيعي أن الحب هو القصد الأسمى من التراحم والتعاطف غير أن صورة الاحتفال به كما ورد في الجزء من القصة . توحي بأنه مازال شيئاً أسطورياً بعيد المنال والاحتمال .
فرغم محاولة الفردين الهندي والإنجليزي ، التغلب على العوائق التي تمنع تواصلهما . فإن هذه العوائق قومية كانت أم طبيعية - مازالت صعبة الاجتياز .
الطريق إلى الهند
الهند أمة ! يا له من تحول عظيم ! آخر من سيدخل زمرة قوميات القرن التاسع عشر ! تحبو الساعة لتتبوأ مكانها ! تلك التي لم يكن يضارعها إلا الإمبراطورية الرومانية المقدسة ، ستقف الآن على قدم مع جواتيمالا وربما بلجيكا
وسخر فيلدنج مرة أخرى . وأخذ عزيز - في قمة الغضب يلوى هنا وهناك ، لا يدرى ماذا يفعل . ثم صاح " فليسقط الإنجليز على كل حال .
هذا مؤكد انزحوا يا هؤلاء - بسرعة . نحن قد يكره أحدنا الآخر ، ولكن كرهنا لكم أشد . فإذا لم نفلح في إجلائكم . فسيفلح أحمد ، وسيفلح كريم ، وسنتخلص منكم ولو بعد خمسة آلاف سنة . نعم سنلقى كل إنجليزي كريه في اليم ، ثم - وهنا جمح نحوه بالحصان - واختتم وهو يكاد يلثمه ثم نصبح أنا وأنت صديقين ".
" ولم لا نكون صديقين منذ الساعة ؟ " قالها الآخر وهو يضمه إليه في تعاطف . " هذا ما أبغيه . وهذا ما تبغيه " .
ولكن الحصانين لم يبغيا ذلك . فقد انفرجا متباعدين . وكذلك الأرض لم تبغ ذلك فقد تصاعدت الصخور بحيث لا يمكن للراكبين إلا السير فرادى . المعابد . والخزان . والسجن . والقصر . والطيور . والغثاء ، ودار الضيافة - كل ما ترامى إلى النظر بعد أن خرجا من الشعاب ليريا قرية ماو في أدنى الجبل - كل ذلك لم يبغ الالتقاء . والكل ردد في أصوات كثيرة " لا ليس بعد " ، وقالت السماء " لا ليس هنالك "

A Passage to India (1924) is a novel by E. M. Forster set against the backdrop of the British Raj and the Indian independence movement in the 1920s. It was selected as one of the 100 great works of English literature by the Modern Library and won the 1924 James Tait Black Memorial Prize for fiction. Time magazine included the novel in its "TIME 100 Best English-language Novels from 1923 to 2005".[1] The novel is based on Forster's experiences in India.
The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Ms. Adela Quested. During a trip to the Marabar Caves (modeled on the Barabar Caves of Bihar),[2] Adela accuses Aziz of attempting to assault her. Aziz's trial, and its run-up and aftermath, bring out all the racial tensions and prejudices between indigenous Indians and the British colonists who rule India.

Plot summary

A young British schoolmistress, Adela Quested, and her elderly friend, Mrs. Moore, visit the fictional city of Chandrapore, British India. Adela is to marry Mrs. Moore's son, Ronny Heaslop, the city magistrate.
Meanwhile, Dr. Aziz, a young Muslim Indian physician, is dining with two of his Indian friends and conversing about whether it is possible to be friends with an Englishman. During the meal, a summons arrives from Major Callendar, Aziz's unpleasant superior at the hospital. Aziz hastens to Callendar's bungalow as ordered, but is delayed by a flat tyre and difficulty in finding a tonga and the major has already left in a huff.
Disconsolate, Aziz walks down the road toward the railway station. When he sees his favourite mosque, a rather ramshackle but beautiful structure, he enters on impulse. He sees a strange Englishwoman there, and angrily yells at her not to profane this sacred place. The woman, however, turns out to be Mrs Moore. Her respect for native customs (she took off her shoes on entering and she acknowledged that "God is here" in the mosque) disarms Aziz, and the two chat and part friends.
Mrs. Moore returns to the British club down the road and relates her experience at the mosque. Ronny Heaslop, her son, initially thinks she is talking about an Englishman, and becomes indignant when he learns the truth. He thinks she should have indicated by her tone that it was a "Mohammedan" who was in question. Adela, however, is intrigued.
Because the newcomers had expressed a desire to see Indians, Mr. Turton, the city tax collector, invites numerous Indian gentlemen to a party at his house. The party turns out to be an awkward business, thanks to the Indians' timidity and the Britons' bigotry, but Adela does meet Cyril Fielding, headmaster of Chandrapore's little government-run college for Indians. Fielding invites Adela and Mrs. Moore to a tea party with him and a Hindu-Brahmin professor named Narayan Godbole. On Adela's request, he extends his invitation to Dr. Aziz.
At Fielding's tea party, everyone has a good time conversing about India, and Fielding and Aziz even become great friends. Aziz buoyantly promises to take Mrs. Moore and Adela to see the Marabar Caves, a distant cave complex that everyone talks about but no one seems to actually visit. Aziz's Marabar invitation was one of those casual promises that people often make and never intend to keep. Ronny Heaslop arrives and rudely breaks up the party.
Aziz mistakenly believes that the women are really offended that he has not followed through with his promise and arranges the outing at great expense to himself. Fielding and Godbole were supposed to accompany the little expedition, but they miss the train.
Aziz and the women begin to explore the caves. In the first cave, however, Mrs. Moore is overcome with claustrophobia, for the cave is dark and Aziz's retinue has followed her in. The press of people nearly smothers her. But worse than the claustrophobia is the echo. No matter what sound one makes, the echo is always "Boum." Disturbed by the echo, Mrs. Moore declines to continue exploring. So Adela and Aziz, accompanied by a single guide, a local man, climb on up the hill to the next cluster of caves.
As Aziz helps Adela up the hill, she innocently asks him whether he has more than one wife. Disconcerted by the bluntness of the remark, he ducks into a cave to compose himself. When he comes out, he finds the guide sitting alone outside the caves. The guide says Adela has gone into one of the caves by herself. Aziz looks for her in vain. Deciding she is lost, he angrily punches the guide, who runs away. Aziz looks around again and discovers Adela's field-glasses (binoculars) lying broken on the ground. He puts them in his pocket.
Then Aziz looks down the hill and sees Adela speaking to another young Englishwoman, Miss Derek, who has arrived with Fielding in a car. Aziz runs down the hill and greets Fielding effusively, but Miss Derek and Adela have already driven off without a word of explanation. Fielding, Mrs. Moore, and Aziz return to Chandrapore on the train.
Then the blow falls. At the train station, Dr. Aziz is arrested and charged with sexually assaulting Adela in a cave. She reports the alleged incident to the British authorities.
The run-up to Aziz's trial for attempted sexual assault releases the racial tensions between the British and the Indians. Adela accuses Aziz only of trying to touch her. She says that he followed her into the cave and tried to grab her, and that she fended him off by swinging her field glasses at him. She remembers him grabbing the glasses and the strap breaking, which allowed her to get away. The only actual evidence the British have is the field glasses in the possession of Dr. Aziz. Despite this, the British colonists firmly believe that Aziz is guilty; at the back of all their minds is the conviction that all darker peoples lust after white women. They are stunned when Fielding proclaims his belief in Aziz's innocence. Fielding is ostracized and condemned as a blood-traitor. But the Indians, who consider the assault allegation a fraud aimed at ruining their community's reputation, welcome him.
During the weeks before the trial, Mrs. Moore is unexpectedly apathetic and irritable. Her experience in the cave seems to have ruined her faith in humanity. Although she curtly professes her belief in Aziz's innocence, she does nothing to help him. Ronny, alarmed by his mother's assertion that Aziz is innocent, decides to arrange for her return by ship to England before she can testify to this effect at the trial. Mrs. Moore dies during the voyage. Her absence from India becomes a major issue at the trial, where Aziz's legal defenders assert that her testimony alone, had it been available, would have proven the accused's innocence.
After an initial period of fever and weeping, Adela becomes confused as to Aziz's guilt. At the trial, she is asked point-blank whether Aziz sexually assaulted her. She asks for a moment to think before replying. She has a vision of the cave in that moment, and it turns out that Adela had, while in the cave, received a shock similar to Mrs. Moore's. The echo had disconcerted her so much that she temporarily became unhinged. She ran around the cave, fled down the hill, and finally sped off with Miss Derek. At the time, Adela mistakenly interpreted her shock as an assault by Aziz, who personifies the India that has stripped her of her psychological innocence, but he was never there. She admits that she was mistaken. The case is dismissed. (Note that in the 1913 draft of the novel EM Forster originally had Aziz guilty of the assault and found guilty in the court, but later changed this in the 1924 draft to create a more ambiguous ending).
All the Anglo-Indians are shocked and infuriated by what they view as Adela's betrayal of the white race. Ronny Heaslop breaks off their engagement. Adela stays at Fielding's house until her passage on a boat to England is arranged. After explaining to Fielding that the echo was the cause of the whole business, she departs India, never to return.
Although he is free and vindicated, Aziz is angry and bitter that his friend, Fielding, would befriend Adela after she nearly ruined his life. The two men's friendship suffers in consequence, and Fielding soon departs for England. Aziz believes that he is leaving to marry Adela for her money. Bitter at his friend's perceived betrayal, he vows never again to befriend a white person. Aziz moves to the Hindu-ruled state of Mau and begins a new life.
Two years later, Fielding returns to India and to Aziz. His wife is Stella, Mrs. Moore's daughter from a second marriage. Aziz, now the Raja's chief physician, at first persists in his anger against his old friend. But in time, he comes to respect and love Fielding again. However, he does not give up his dream of a free and united India. In the novel's last sentences, he explains that he and Fielding cannot be friends, at least not until India is free of the British Raj. Even the earth and the sky seem to say, "Not yet."

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