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Nikolai Gogol
(1809-52) was born in the Ukraine and left for St Peterburg at the age of 19 where he published a collection of short stories and for a short time held the post of professor of history at the university. Gogol's experience of life in St Petersburg informed his savagely satirical play, The Government Inspector, and a series of brilliant short stories including Nevsky Prospekt and Notes of a Madman. From 1836 to 48, Gogol lived abroad, mainly in Rome, where he was working on his comic epic Dead Souls - a work he wrestled with for the rest of his life before renouncing literature and burning parts of the manuscript shortly before he died. Robert A Maguire is Professor and Head of Department at Columbia University. He is the prize-winning translator of Petersburg by Andrei Bely (Indiana UP, 1979) and several contemporary Polish poets, author of Exploring Gogol (1996) and editor of Gogol from the Twentieth Century (1995). He has received a Ford Foundation Grant, a Guggenheim Fellowship, and several awards for his service to his field of study and his published works
Nikolai Vasilievich Gogol (Russian: Никола́й Васи́льевич Го́голь, tr. Nikolay Vasilyevich Gogol; IPA: [nʲɪkɐˈlaj vɐˈsʲilʲjɪvʲɪtɕ ˈgogəlʲ]; Ukrainian: Мико́ла Васи́льович Го́голь, Mykola Vasyliovych Hohol; 31 March [O.S. 19 March] 1809 – 4 March [O.S. 21 February] 1852[4]) was a Ukrainian-born Russian dramatist, novelist and short story writer.[4]
Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol's work a fundamentally romantic sensibility, with strains of Surrealism and the grotesque ("The Nose", "Viy", "The Overcoat," "Nevsky Prospekt"). His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore.[5][6] His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls), leading to his eventual exile. The novel Taras Bulba (1835) and the play Marriage (1842), along with the short stories "Diary of a Madman", "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich", "The Portrait" and "The Carriage", round out the tally of his best-known works.
Early life

Gogol was born in the Ukrainian Cossack village of Sorochyntsi,[4] in Poltava Governorate of the Russian Empire, present-day Ukraine. His mother was a descendant of Polish landowners.
His father Vasily Gogol-Yanovsky, a descendant of Ukrainian Cossacks, belonged to the 'petty gentry', wrote poetry in Ukrainian and Russian, and was an amateur Ukrainian-language playwright, who died when Gogol was 15 years old.
As was typical of the left-bank Ukrainian gentry of the early nineteenth century, the family spoke Russian as well as Ukrainian. As a child, Gogol helped stage Ukrainian-language plays in his uncle's home theater.
In 1820 Gogol went to a school of higher art in Nizhyn and remained there until 1828. It was there that he began writing. He was not popular among his schoolmates, who called him their "mysterious dwarf", but with two or three of them he formed lasting friendships. Very early he developed a dark and secretive disposition, marked by a painful self-consciousness and boundless ambition. Equally early he developed a talent for mimicry, which later made him a matchless reader of his own works and induced him to toy with the idea of becoming an actor.
In 1828, on leaving school, Gogol came to St Petersburg, full of vague but glowingly ambitious hopes. He had hoped for literary fame, and brought with him a Romantic poem of German idyllic life – Hans Küchelgarten. He had it published, at his own expense, under the name of "V. Alov." The magazines he sent it to almost universally derided it. He bought all the copies and destroyed them, swearing never to write poetry again.
Gogol was one of the first masters of the short story, alongside Alexander Pushkin, Prosper Mérimée, E. T. A. Hoffmann, Edgar Allan Poe, and Nathaniel Hawthorne. He was in touch with the "literary aristocracy", had a story published in Anton Delvig's Northern Flowers, was taken up by Vasily Zhukovsky and Pyotr Pletnyov, and (in 1831) was introduced to Pushkin.
Literary development

In 1831, he brought out the first volume of his Ukrainian stories (Evenings on a Farm Near Dikanka), which met with immediate success. He followed it in 1832 with a second volume, and in 1835 by two volumes of stories entitled Mirgorod, as well as by two volumes of miscellaneous prose entitled Arabesques. At this time Russian editors and critics such as Nikolai Polevoy and Nikolai Nadezhdin saw in Gogol the emergence of a Ukrainian, rather than Russian, writer, using his works to illustrate supposed differences between Russian and Ukrainian national characters, a fact that has been overlooked in later Russian literary history.[8] The themes and style of these early prose works by Gogol, as well as his later drama, were similar to the work of Ukrainian writers and dramatists who were his contemporaries and friends, including Hryhory Kvitka-Osnovyanenko and Vasily Narezhny. However, Gogol's satire was much more sophisticated and unconventional.[9]
At this time, Gogol developed a passion for Ukrainian history and tried to obtain an appointment to the history department at Kiev University. Despite the support of Pushkin and Sergey Uvarov, the Russian minister of education, his appointment was blocked by a Kievan bureaucrat on the grounds that he was unqualified.[10] His fictional story Taras Bulba, based on the history of Ukrainian cossacks, was the result of this phase in his interests. During this time he also developed a close and lifelong friendship with another Ukrainian, the historian and naturalist Mykhaylo Maksymovych.[11]
In 1834 Gogol was made Professor of Medieval History at the University of St. Petersburg, a job for which he had no qualifications. He turned in a performance ludicrous enough to warrant satiric treatment in one of his own stories. After an introductory lecture made up of brilliant generalizations which the 'historian' had prudently prepared and memorized, he gave up all pretense at erudition and teaching, missed two lectures out of three, and when he did appear, muttered unintelligibly through his teeth. At the final examination, he sat in utter silence with a black handkerchief wrapped around his head, simulating a toothache, while another professor interrogated the students."[12] This academic venture proved a failure and he resigned his chair in 1835.
Between 1832 and 1836 Gogol worked with great energy, and though almost all his work has in one way or another its sources in these four years of contact with Pushkin, he had not yet decided that his ambitions were to be fulfilled by success in literature. During this time, the Russian critics Stepan Shevyrev and Vissarion Belinsky, contradicting earlier critics, reclassified Gogol from a Ukrainian to a Russian writer.[8] It was only after the presentation, on 19 April 1836, of his comedy The Government Inspector (Revizor) that he finally came to believe in his literary vocation. The comedy, a violent satire of Russian provincial bureaucracy, was staged thanks only to the intervention of the emperor, Nicholas I.
From 1836 to 1848 Gogol lived abroad, travelling through Germany and Switzerland. Gogol spent the winter of 1836–1837 in Paris, among Russian expatriates and Polish exiles, frequently meeting the Polish poets Adam Mickiewicz and Bohdan Zaleski. He eventually settled in Rome. For much of the twelve years from 1836 Gogol was in Italy. He studied art, read Italian literature and developed a passion for opera. He mingled with Russian and other visitors, and in 1838 met Count Ioseph Vielhorskiy, the 23-year-old son of the official who had brought Gogol's Government Inspector to the attention of the emperor. Vielhorsky was travelling in hopes of curing his tuberculosis. Gogol became deeply attached to the young man and attended him in his illness, but in 1839 Vielhorsky died. Gogol left an account of this time in his Nights at the Villa.
Pushkin's death produced a strong impression on Gogol. His principal work during years following Pushkin's death was the satirical epic Dead Souls. Concurrently, he worked at other tasks – recast Taras Bulba and The Portrait, completed his second comedy, Marriage (Zhenitba), wrote the fragment Rome and his most famous short story, The Overcoat.
In 1841 the first part of Dead Souls was ready, and Gogol took it to Russia to supervise its printing. It appeared in Moscow in 1842, under the title, imposed by the censorship, of The Adventures of Chichikov. The book instantly established his reputation as the greatest prose writer in the language