الموضوع: ما سر "الروعة" في افضل مائة رواية عالمية؟ دراسة بحثية
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قديم 10-09-2011, 11:13 PM
المشاركة 141
الصورة الرمزية ايوب صابر
ايوب صابر
مراقب عام سابقا

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والان مع الرواية :
51 ـ رحلة إلى نهاية الليلة، للمؤلف لويسفردينان سيلين.
Journey to the End of Night (Voyage au bout de la nuit, 1932) is the first novel of Louis-Ferdinand Céline. This semi-autobiographical work describes antihero Ferdinand Bardamu.
His surname, Bardamu, is derived from the French words barda—the "pack" carried by World War I soldiers—and mu, the past participle of the verb mouvoir, meaning "to move".
Bardamu is involved with World War I, colonial Africa, and post-World War I America (where he works for the Ford Motor Company), returning in the second half of the work to France, where he becomes a medical doctor and establishes a practice in a poor Paris suburb, the fictional La Garenne-Rancy. The novel also satirizes the medical profession and the vocation of scientific research. The disparate elements of the work are linked together by recurrent encounters with Léon Robinson, a hapless character whose experiences parallel, to some extent, those of Bardamu.
Voyage au bout de la nuit is a nihilistic novel of savage, exultant misanthropy, combined, however, with cynical humour. Céline expresses an almost unrelieved pessimism with regard to human nature, human institutions, society, and life in general. Towards the end of the book, the narrator Bardamu, who is working at an insane asylum, remarks:
…I cannot refrain from doubting that there exist any genuine realizations of our deepest character except war and illness, those two infinities of nightmare,"
("…je ne peux m'empêcher de mettre en doute qu'il existe d'autres véritables réalisations de nos profonds tempéraments que la guerre et la maladie, ces deux infinis du cauchemar,")
In 2006 Will Self described the book as being "a furious attempt to place one man's consciousness at the epicenter of a world that is exploding under the centripetal influences of capitalism, imperialism, consumerism and licentiousness."[1]