الموضوع: ما سر "الروعة" في افضل مائة رواية عالمية؟ دراسة بحثية
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قديم 06-18-2013, 09:01 AM
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تابع .........العناصر التي شكلت الروعة في رواية:13ـ شارترهاوس أوف بارما،للمؤلف ستاندال

- Like the circumstances of its creation, the finished novel seems at once spontaneous and premeditated.
- The quick pace of the narrative and the vividness of the characters are balanced throughout by a coolly sardonic assessment of human nature and, in particular, of politics.
- Stendhal, a lifelong liberal who as an idealistic young man had followed Napoleon into Italy, Austria and Russia, found himself living at a time of almost unprecedented political cynicism in post-Restoration France; disgust with the bourgeois complacency of his countrymen played no little part in his admiration for the Italians, whom he considered to be more authentic -- more profound and more susceptible to violent emotions,'' as he wrote in his diary.
- To Howard's credit, both the Italian passion and the French worldliness are evident here; but it is the novel's distinctive impetuousness and forward momentum, the qualities that so famously make it such a good read, that are fully captured here, perhaps for the first time, in English. (Howard himself finished the translation in 28 weeks -- one week per chapter -- a feat only slightly less miraculous than Stendhal's.)
- But the appeal of ''Charterhouse'' is more than just a matter of its urgent, even impatient style (''Here we shall ask permission to pass, without saying a single word about them, over an interval of three years''); it lies, too, in its vibrant characters, who are prey to unruly emotions that will be familiar to contemporary readers.
- There is, to begin with, the novel's ostensible hero, the impetuous young Fabrice, who as a teen-ager, when the action begins, disobeys his right-wing father and sneaks off to fight for Napoleon.
- What is most resonant for contemporary readers isn't Fabrice's starry-eyed idealism -- which is, after all, endemic among protagonists of Romantic novels, and which, in any case, is constantly belied by the hard and occasionally farcical realities of lived life (an exhausted and slightly hung over Fabrice sleeps through much of Waterloo) -- but the decidedly more modern, and even post-modern, way in which a sense of authenticity keeps eluding him.
- Judged by Balzac to be the most important French novel of its time, The Charterhouse of Parma is a classic portrait of aristocratic adventure. Fabrizio del Dongo, a headstrong and naive Italian grandee, defies the wrath of his right-wing father and goes to fight for Napoleon. But his dreams of military glory are dashed, drawing him back to Milan. There he becomes embroiled in a series of amorous exploits, fueled by his own impetuous nature and the political chicanery of his aunt and her wily lover. This is a colorful journey through extravagance, duplicity, and youthful daring
- Richard Howard's exuberant and definitive rendition of Stendhal's stirring tale has brought about the rediscovery of this classic by modern readers. Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. As Balzac wrote, "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this...one sees perfection in every detail
- Instead of sitting for years at his writing desk, pulling his hair, Stendhal served with the French diplomatic corps in his favorite country, Italy, and then returned home and dictated his novel in less than eight weeks. What a great model for how to be a writer and still have some kind of life! The book is at once deeply cynical and hopelessly romantic, all about politics but also all about love, and just about impossible to put down.
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