الموضوع
:
ما سر "الروعة" في افضل مائة رواية عالمية؟ دراسة بحثية
عرض مشاركة واحدة
12-16-2011, 10:29 PM
المشاركة
298
ايوب صابر
مراقب عام سابقا
اوسمتي
مجموع الاوسمة
: 4
تاريخ الإنضمام :
Sep 2009
رقم العضوية :
7857
المشاركات:
12,766
Amis and Katie Price
An editor has expressed a concern that this section lends
undue weight
to certain ideas, incidents, controversies or matters relative to the article subject as a whole. Please help to create a more balanced presentation. Discuss and resolve this issue before removing this message.
(March 2011)
On 27 October 2009,
The Daily Telegraph
reported that during a recent appearance by Amis at the Hay Festival in Wales, Amis had discussed his fascination with the glamour model turned celebrity author
Katie Price
(formerly known as Jordan). Amis went on to reveal that he "has honoured [Price] with a character bearing some of her traits" in his forthcoming new novella provisionally titled
State of England
(also the title of a 1996 short story by Amis). Amis said that her character was named 'Threnody', and stated categorically that Threnody "isn't based on" Jordan but readers should "bear in mind" the model when they read the book.
[
Furthermore, Amis said of Price: "She has no waist, no arse...an interesting face...but all we are really worshipping is two bags of silicone," though he admitted to having read both volumes of her autobiography.
[]
Amis's remarks concerning Price and the rise of the "celebrity author" provoked wide discussion and much fierce debate with the press and literary circles, with
Guardian
BookBlog writer Jean Hannah Edelstein accusing Amis of misogyny and implying that it showed insecurity on his part. David Lister in
The Independent
thought that Amis was "refreshingly unafraid to challenge prevailing orthodoxies"
[
but thought he had also been "a real fool". "In turning his critique of celebrity publishing into a personal attack on a woman's physical attributes in language that would have seemed chauvinist 40 years ago, let alone now, he has shown his true colours, won Jordan sympathy and lost the argument on celebrity novels," Lister wrote. These are accusations which have been levelled at Amis before, most notably in 1989 when
London Fields
was rumoured to have been excluded from the Booker Prize longlist for similar reasons after protests by judges Maggie Gee and Helen McNeil, and exclusions from the shortlist for the Whitbread Prize the same year.
[
Independent
Editor-At-Large Janet Street Porter also attacked Amis's remarks: "The truth is, he doesn't sell as many books as he used to...Whether Amis can cope with it or not, Katie Price sells millions of books to people who would not normally buy books." Street Porter went on to add that Price's novels were "pure escapism"
[
(asking "...what's wrong with that?") and that in being "reduced to slagging off a woman who will never have read one of his own books, or even have heard of him, in order to drum up interest and grab a few headlines for his next opus", Amis was "signing up to the very culture he's said to despise." Porter signed off her piece saying that Amis shouldn't be "...such a rude snob."
Amis was defended by fellow novelist Tony Parsons. Writing in
The Mirror
, Parsons opined that "...it is wrong to suggest that Amis is just jealous of Jordan’s sales figures. I think the real problem is the sheer excitement that Katie/Jordan generates among her readers. She encourages people to pour into bookshops in a way that the likes of Martin and I can only dream about." Despite the critical acclaim of literary fiction and high profile awards such as the Booker Prize, Parsons said that ultimately "Jordan, those two bestselling bags of silicone, has done more to promote reading in this country than anyone apart from the great J.K. Rowling."
]
Amis revealed a few more details about Threnody and his views on Jordan in an interview with Will Gore for the
Epsom Guardian
prior to the release of
The Pregnant Widow
:
“She is a minor character,” he explains. “It is not Jordan but a rather different type of woman who gets about as much attention. My character is a poet, not a novelist, on the side as well as being a glamour model. “I think it is slightly depressing that Jordan’s autobiography is a best seller and people queue for five hours to meet her. What does that say about England? “Snobbery has to start somewhere and if you can’t be snobbish about Katie Price you are dead, you’ve gone.”
]
Further details about
State of England
and Amis's plans were revealed in an interview with The Times in late January 2010 prior to the release of
The Pregnant Widow
. According to the article, "[Amis has] nearly finished his next novel,
State of England
, about chavs, which contains one character, Threnody, inspired by Katie Price and another, “my worst yet”, he says, based on Mikey Carroll, a crack-smoking lottery winner. “Lionel Asbo wins £90m on the lottery and does something so vicious…I can't tell you what”.Amis clarified further by stating: “I’ve got the first draft of the next novel done...and another novel ready to go after that.”
]
Other works
Amis has also released two collections of short stories (
Einstein's Monsters
and
Heavy Water
), four volumes of collected journalism and criticism (
The Moronic Inferno
,
Visiting Mrs Nabokov
,
The War Against Cliché
and
The Second Plane
), and a guide to 1980s space-themed arcade video-game machines (
Invasion of the Space Invaders
). He also regularly appeared on television and radio discussion and debate programmes, and contributes book reviews and articles to newspapers. His wife Isabel Fonseca released her debut novel
Attachment
in 2009 and two of Amis's children, his son Louis and his daughter Fernanda, have also been published in their own right in
Standpoint
magazine and
The Guardian
, respectively.
[
Current life
Amis returned to Britain in September 2006 after living in
Uruguay
for two and a half years with his second wife, the writer
Isabel Fonseca
, and their two young daughters. Amis became a grandfather in 2008 when his daughter Delilah gave birth to a son. He said, "Some strange things have happened, it seems to me, in my absence. I didn't feel like I was getting more rightwing when I was in Uruguay, but when I got back I felt that I had moved quite a distance to the right while staying in the same place." He reports that he is disquieted by what he sees as increasingly undisguised hostility towards Israel and the United States.
In late 2010 Amis bought a property in the
Cobble Hill
area of
Brooklyn
,
New York
, although it is unclear whether he will be permanently moving to New York or just maintaining another 'sock' there.
]
Through the 1980s and 1990s, Amis was a strong critic of
nuclear proliferation
. His collection of five stories on this theme,
Einstein's Monsters
, began with a long essay entitled "Thinkability" in which he set out his views on the issue, writing: "Nuclear weapons repel all thought, perhaps because they can end all thought."
He wrote in "Nuclear City" in
Esquire
of 1987 (re-published in
Visiting Mrs Nabokov
) that: "when nuclear weapons become real to you, when they stop buzzing around your ears and actually move into your head, hardly an hour passes without some throb or flash, some heavy pulse of imagined supercatastrophe."
Amis expressed his opinions on terrorism in an extended essay published in
The Observer
on the eve of the fifth anniversary of
9/11
in which he criticized the economic development of all Arab countries because their "aggregate GDP... was less than the GDP of Spain", and they "lag[ged] behind the West, and the Far East, in every index of industrial and manufacturing output, job creation, technology, literacy, life-expectancy, human development, and intellectual vitality."
[
The Catholic-Marxist critic
Terry Eagleton
, in the 2007 introduction to his work
Ideology
, singled out and attacked Amis for a particular quote (which Eagleton mistakenly attributed to one of Amis's essays),[
citation needed
] taken the day after the
2006 transatlantic aircraft plot
came to light, in an informal interview in
The Times Magazine
. Amis was quoted as saying: "What can we do to raise the price of them doing this? There’s a definite urge – don’t you have it? – to say, ‘The Muslim community will have to suffer until it gets its house in order.’ What sort of suffering? Not letting them travel. Deportation – further down the road. Curtailing of freedoms. Strip-searching people who look like they’re from the Middle East or from Pakistan… Discriminatory stuff, until it hurts the whole community and they start getting tough with their children...It’s a huge dereliction on their part".
[38]
Eagleton wrote that this view is "[n]ot the ramblings of a
British National Party
thug, [...] but the reflections of Martin Amis, leading luminary of the English metropolitan literary world".
In a highly critical article in the Guardian "
The absurd world of Martin Amis
" the satirist
Chris Morris
likened Amis to the Muslim cleric
Abu Hamza
(who was jailed for
inciting racial hatred
in 2006), suggesting that both men employ "mock erudition, vitriol and decontextualised quotes from the Qu'ran" to incite hatred.
I
n a later piece, Eagleton added: "But there is something rather stomach-churning at the sight of those such as Amis and his political allies, champions of a civilisation that for centuries has wreaked untold carnage throughout the world, shrieking for illegal measures when they find themselves for the first time on the sticky end of the same treatment."
Elsewhere, Amis was especially careful to distinguish between Islam and radical Islamism, stating that:
“
"We can begin by saying, not only that we respect Muhammad, but that no serious person could fail to respect Muhammad - a unique and luminous historical being...Judged by the continuities he was able to set in motion, Muhammad has strong claims to being the most extraordinary man who ever lived...To repeat, we respect Islam - the donor of countless benefits to mankind...But Islamism? No, we can hardly be asked to respect a creedal wave that calls for our own elimination...Naturally we respect Islam. But we do not respect Islamism, just as we respect Muhammad and do not respect Muhammad Atta."
A prominent British Muslim,
Yasmin Alibhai-Brown
, wrote an op-ed piece on the subject condemning Amis and he responded with an open letter to
The Independent
which the newspaper printed in full. In it, he stated his views had been misrepresented by both Alibhai-Brown and Eagleton. In an article in The Guardian, Amis subsequently wrote:
“
And now I feel that this was the only serious deprivation of my childhood - the awful human colourlessness of South Wales, the dully flickering whites and grays, like a Pathe newsreel, like an ethnic Great Depression. In common with all novelists, I live for and am addicted to physical variety; and my one quarrel with the rainbow is that its spectrum isn't wide enough. I would like London to be full of upstanding Martians and Neptunians, of reputable citizens who came, originally, from Krypton and Tralfamadore.
On terrorism, Martin Amis wrote that he suspected "there exists on our planet a kind of human being who will become a Muslim in order to pursue suicide-mass murder," and added: "I will never forget the look on the gatekeeper's face, at the Dome of the Rock in Jerusalem, when I suggested, perhaps rather airily, that he skip some calendric prohibition and let me in anyway. His expression, previously cordial and cold, became a mask; and the mask was saying that killing me, my wife, and my children was something for which he now had warrant."
In comments on the BBC in October 2006 Amis expressed his view that
North Korea
was the most dangerous of the two remaining members of the
Axis Of Evil
, but that
Iran
was our "natural enemy", suggesting that we should not feel bad about having "helped Iraq scrape a draw with Iran" in the
Iran–Iraq War
, because a "revolutionary and rampant Iran would have been a much more destabilising presence."
His views on radical
Islamism
earned him the contentious sobriquet
Blitcon
from the
New Statesman
(his former employer). This term, it has since been argued, was wrongly applied.
[
His political opinions have been attacked in some quarters, particularly in
The Guardian
.
]
He has received support from many other writers. In
The Spectator
, Philip Hensher noted:
“
"The controversy raised by Amis’s views on religion as specifically embodied by Islamists is an empty one. He will tell you that his loathing is limited to Islamists, not even to Islam and certainly not to the ethnic groups concerned. The point, I think, is demonstrated, and the openness with which he has been willing to think out loud could usefully be emulated by political figures, addicted as they are to weasel words and double talk. I have to say that from non-practising Muslims I’ve heard language and opinions on Islamists which are far less temperate than anything Amis uses. In comparison to the private expressions of voices of modernity within Muslim societies, Amis is almost exaggeratedly respectful."
In June 2008, Amis endorsed the presidential candidacy of
Barack Obama
, stating that "The reason I hope for Obama is that he alone has the chance to reposition America's image in the world".
Agnosticism
In 2006, Amis said that "agnostic is the only respectable position, simply because our ignorance of the universe is so vast" that atheism is "premature". Clearly, "there's not going to be any kind of anthropomorphic entity at all", but the universe is "so incredibly complicated", "so over our heads", that we cannot exclude the existence of "an intelligence" behind it.
In 2010, he said: "I'm an agnostic, which is the only rational position. It's not because I feel a God or think that anything resembling the banal God of religion will turn up. But I think that atheism sounds like a proof of something, and it's incredibly evident that we are nowhere near intelligent enough to understand the universe.... Writers are above all individualists, and above all writing is freedom, so they will go off in all sorts of directions. I think it does apply to the debate about religion, in that it's a crabbed novelist who pulls the shutters down and says, there's no other thing. Don't use the word God: but something more intelligent than us... If we can't understand it, then it's formidable. And we understand very little."
Recent employment
In February 2007, Martin Amis was appointed as a Professor of Creative Writing at
The
Manchester Centre for New Writing
in the
University of Manchester
, and started in September 2007. He ran postgraduate seminars, and participated in four public events each year, including a two-week summer school.
Of his position, he said: "I may be acerbic in how I write but...I would find it very difficult to say cruel things to [students] in such a vulnerable position. I imagine I'll be surprisingly sweet and gentle with them."He predicted that the experience might inspire him to write a new book, while adding sardonically: "A campus novel written by an elderly novelist, that's what the world wants."It was revealed that the salary paid to Amis by the university was £80,000 a year. The
Manchester Evening News
broke the story claiming that according to his contract this meant he was paid £3000 an hour for 28 hours a year teaching. The claim was echoed in headlines in several national papers. As with any other member of academic staff, his teaching contact hours constituted a minority of his commitments, a point confirmed in the original article by a reply from the University. In January 2011, it was announced that he would be stepping down from his university position at the end of the current academic year.
[
From October 2007 to July 2011, at Manchester University's
Whitworth Hall
or at the Cosmo Rodewald Concert Hall, Martin Amis regularly engaged in public discussions with other experts on literature and various topics (21st century literature, terrorism, religion,
Philip Larkin
, science, Britishness, suicide, sex, ageing, his novel
The Pregnant Widow
, violence, film, the short story, and America).
يتم اجتماعي بسبب انفصال الابوين وهو في سن الثانية عشره ليعيش لاحقا مع والده وزوجة والده
يتيم اجتماعي
==
استنتاجات أولية
:
أولا: بعد دراسة العشر روايات من8
1
إلى 90 تبين ما يلي
:
81
ـ أغنية الجلاد،
للمؤلف نورمان ميللر
،
مأزوم.
82
ـ إن
كانت ليلة الشتاء مسافرة، للمؤلف إيتالو كالفينو
،
مأزوم .
.
83
ـ
منعطف في النهر، للمؤلف في. إس. نيبول
.
يتم في سن 21
84
ـ في انتظار البرابرة،
للمؤلف جي. إم. كويتزي
مأزوم
.
85
ـ إدارة المنزل، للمؤلفة
مارلين
روبنسون،
مجهولة الطفولة
.
86
ـ لانارك، للمؤلف السادير جري
وتدور أحداث القصة في
جلاسكو،
يتيم الام في سن 18
87
ـ مثلث نيويورك،
للمؤلف بول
اوستر،
مأزوم /موت صديقه في سن الـ 14ويتيم اجتماعي
.
88
ـ
ذا بي إف جي،
للمؤلف رولد دال،
يتيم الاب
89ـ الجدول الدوري،
للمؤلف بريمو ميفي،
مأزوم ويتيم اجتماعي
90 ـ المال، للمؤلف
مارتن
إميس
.
يتيم اجتماعي
.
-
عدد الأيتام الفعلين في هذه المجموعة 3
فقط وبنسبة
%
30
-
عدد الأيتام الافتراضين ( يتم اجتماعي ) 3 فقط وبنسبة 30%
-
مجموع الأيتام ( فعلى + افتراضي) = 6 وبنسبة 60%
-
عدد من كانت حياتهم مأزومة 3 وبنسبة 30% .
-
مجموع من كانت حياتهم يتم فعلي+ يتم افتراضي + مأزومة = 9 وبنسبة90% .
-
عدد مجهولين الطفولة 1 وبنسبة 10%.
رد مع الإقتباس