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Italo Svevo

was the pseudonym of Italian novelist Ettore Schmitz, b. Dec. 19, 1861, d. Sept. 13, 1928, author of A Life (1892; Eng. trans., 1963), As a Man Grows Older (1898; Eng. trans., 1932), and The Confessions of Zeno (1923; Eng. trans., 1930), regarded as his masterpiece. These works, which pioneer in the use of stream-of-consciousness narrative and thought analysis, are often called the forerunners of the modern psychoanalytic novel and have been compared with works by Proust and Joyce. Svevo's works were greatly admired by Joyce, who was instrumental in bringing Svevo's writing to the attention of the public.
Aron Ettore Schmitz (December 19, 1861 – September 13, 1928), better known by the pseudonym Italo Svevo, was an Italian writer and businessman, author of novels, plays, and short stories.
Biography

Born in Trieste (then in Austria-Hungary) as Aron Ettore Schmit to a Jewish family that originated in Germany, Italo Svevo (literally Italianswabian) wrote the classic novel La Coscienza di Zeno (rendered as Confessions of Zeno, or Zeno's Conscience) and self-published it in 1923. The work, showing the author's interest in the theories of Sigmund Freud, is written in the form of the memoirs of one Zeno Cosini, who writes them at the insistence of his psychoanalyst. Schmitz's novel received almost no attention from Italian readers and critics at the time.
The work might have disappeared altogether if it were not for the efforts of James Joyce. Joyce had met Schmitz in 1907, when Joyce tutored him in English while working for Berlitz in Trieste. Joyce read Schmitz's earlier novel Senilità, which had also been largely ignored when published in 1898.
Joyce championed Confessions of Zeno, helping to have it translated into French and then published in Paris, where critics praised it extravagantly. That led Italian critics, including Eugenio Montale, to discover it. Zeno Cosini, the book's hero, mirrored Schmitz, being a businessman fascinated by Freudian theory.
Svevo was also a model for Leopold Bloom, the protagonist of Joyce's Ulysses.[2]
Svevo was a citizen of the Austro-Hungarian Empire until the end of the First World War. He spoke Italian as a second language (as he usually spoke the Triestine dialect).
Confessions of Zeno never looks outside the narrow confines of Trieste, much like Joyce's work, which rarely left Dublin in the last years of Ireland's time as part of the United Kingdom. Svevo brings a keenly sardonic wit to his observations of Trieste and, in particular, to his hero, an indifferent man who cheats on his wife, lies to his psychoanalyst and is trying to explain himself to his psychoanalyst by revisiting his memories.
There is a final connection between Schmitz-Svevo and the character Cosini. Cosini sought psychoanalysis, he said, in order to discover why he was addicted to nicotine. As he reveals in his memoirs, each time he had given up smoking, with the iron resolve that this would be the "ultima sigaretta!!", he experienced the exhilarating feeling that he was now beginning life over without the burden of his old habits and mistakes. That feeling was, however, so strong that he found smoking irresistible, if only so that he could stop smoking again in order to experience that thrill once more.
Svevo likewise smoked for all of his life. After being involved in a serious car accident, he was brought into hospital at Motta di Livenza, where his health rapidly failed. As death approached he asked one of his visitors for a cigarette, telling everyone that this really would be the last one (the request was denied).
Svevo lived for part of his life in Charlton, south-east London, while working for a family firm. He documented this period in his letters[3] to his wife which highlighted the cultural differences he encountered in Edwardian England. His old home at 67 Charlton Church Lane now carries a blue plaque.
He was an atheist.
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Italo Svevo (1861-1928) - pseud. of Ettore Schmitz
Italian novelist, dramatist, and short story writer, whose best-known novel is The Confessions of Zeno (1923). Svevo published the work at the age of 62 at his own expense. The novel, dealing with the self-revelations of a nicotine addict, is considered one of the greatest examples of European experimental modernist writing. Svevo was killed in an automobile accident. Further Confessions of Zeno (1969) appeared posthumously.
"Vedere la mia infanzia? Piú di dieci lustri me ne separano e i miei occhi presbiti forse potrebbero arrivarci se la luce che ancora ne riverbera non fosse tagliata da ostacoli d'ogni genere, vere alte montagne: i miei anni e qualche mia ora." (from La conscienza di Zeno)
Italo Svevo was born in Trieste into a well-to-do Jewish family. He was one of the seven sons of Francesco and Allegra Schmitz. Svevo's mother, Allegra Moravia, came from an Italian Jewish family of Trieste; his father was of German descent, the son of an Austrian customs official. Svevo attended the Brüssel Institute near Würzburg in Germany. There he became interested in literature and read German classics, Schiller, Goethe, Schopenhauer, and great Russian writers of the time. After returning to Trieste he enrolled in the Instituto Superiore Revoltella. In 1880 his father, who ran a glassware business, went bankrupt and also collapsed physically. Svevo was forced to abandon his studies, but he already planned to become a writer. At the age of nineteen he started to work in the local branch of the Viennese Union Bank as a correspondence clerk. This period in his life lasted nearly twenty years and inspired his novel, Una vita (1893, A Life).
In 1898, after the death of his parents, Svevo married his cousin Livia Veneziani. She was a devoted Roman Catholic and under her influence he converted to Catholicism. Livia's family were prosperous manufacturers of marine paint and Svevo joined the firm. He traveled much, set up a branch of the firm in England, and eventually took over the management of the business after the death of his father-in-law. As a novelist Svevo made his debut with Una vita, which he published at his own expense, and using for the first time his pseudonym. The name, "Italus the Swabian," reflected his mixed ancestry and cultural background. In the story a young man, Alfonso Nitti, comes to Trieste to work as a clerk in a bank. Nitti spends his time in daydreams, has an affair with Annetta, his employer's daughter, and escapes from her to his mother, eventually becoming a suicide victim. Una vita went unnoticed. When his second novel, Senilità (1898), also failed, he stopped publishing for the next 25 years. The original edition was published at Svevo's expense by Vrin in Trieste. "This incomprehension baffles me," he admitted. "It demonstrates that they just don't follow me." However, he still wrote fables, short stories, plays, a diary, and became a successful businessman.
Svevo's unnoticeable literary pursuits took a new turn in 1907 when he met the young, relatively unknown writer James Joyce, who was working as an English teacher in Trieste at the Berlitz School. Svevo needed a private tutor for the English language and became the pupil of Joyce, whose works he reviewed.
The novella Una burla riuscita (1929), about self-deception and passion for writing, was the first of Svevo's works published in English. Joyce praised Senilità, in which the protagonist, Emilio Brentani, suffers in his thirties from a premature sense of senility. Emilio falls hopelessly in love with the young Angiolina, a tall blonde, "with big blue eyes abd s supple, graceful body, an expressive face and transparent skin glowing with health." The 1927 edition of Senilità, published by Morreale, was considerably edited. Its English title, As a Man Grows Older, was suggested by Joyce. Their friendship lasted until the end of Svevo's life. Impressed by the the theories of Jung and Freud, Svevo even started to translate Freud's The Interpretation of Dreams with his nephew, a doctor.
In The Confessions of Zeno Svevo's interest in Freud was seen in his first-person narrator, Zeno Cosini, who writes his autobiography for his psychoanalyst, Doctor S, to find the origin of his smoking habit. The ambiguous Italian word of the title, "coscienza", means either conscience or consciousness. Svevo had begun to write the book in 1919, and it appeared in 1923. Critics and readers ignored it, as they had done with Svevo's previous novels. Upon the recommendation of Joyce, it was translated and published by Valery Larbaud and Benjamin Crémieux in France, where it was hailed as a masterwork. In Italy Eugenio Montale wrote about Svevo in his article in L'esame (1925), and persuaded him to republish Senilità and La Conscienza di Zeno. The Austrian / American literary theorist and critic René Wellek later stated that Montale grossly overrated Svevo, "if he is evaluated in a European context. But as an Italian novelist he has permanent appeal as a psychoanalytical psychologist and as a portrayer of the inhabitants of Austrian and later Italian Trieste and their often uncertain national allegiance." (from A History of Modern Criticism, vol. 8, 1992)
Montale's article did not end the debate about Svevo, but only fuelled more. His critics held the opinion that the book was written in terrible Italian, and his protagonist was unheroic and commonplace. Svevo's supporters appreciated his humor, and his effective use of interior monologue. Zeno's father dies, he smokes again his last cigarrette, he lies to his doctor, is plagued by a number of psychosomatic diseases, and has his doubts about self-analysis, saying: "after practising it assiduously for six whole months I find I am worse than before." He realizes that there is no cure for life, except a catastrophe: "There will be a tremendous explosion, but no one will hear it and the earth will return to its nebulous state and go wandering through the sky, free at last from parasites and disease."
During the last years of his life, Svevo lectured on his own work, and started to compose a sequel to The Confessions of Zeno. In September 1928 he had a car accident at Motta di Livenza. He died a few days later, on September 13, 1928, from the shock and a heart condition, from which he had suffered for many years. A lifelong heavy smoker, Svevo refused a cigarette on his death bed.