الموضوع: ما سر "الروعة" في افضل مائة رواية عالمية؟ دراسة بحثية
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قديم 12-18-2011, 10:18 PM
المشاركة 303
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ايوب صابر
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والان مع سر الروعة في الرواية:

92 ـ أوسكار ولوسيندا، للمؤلف بيتركاري.
92. Oscar And Lucinda Peter Carey - A great contemporary love story set in nineteenth-century Australia by double Booker prizewinner.
Oscar and Lucinda is a novel by Peter Carey which won the 1988 Booker Prize, the 1989 Miles Franklin Award, and was shortlisted for The Best of the Booker.
Plot introduction

It tells the story of Oscar Hopkins, the Cornish son of a Plymouth Brethren minister who becomes an Anglicanpriest, and Lucinda Leplastrier, a young Australian heiress who buys a glass factory. They meet on the boat over to Australia, and discover that they are both gamblers, one obsessive the other compulsive. Lucinda bets Oscar that he cannot transport a glass church from Sydney to a remote settlement at Bellingen, some 400 km up the New South Wales coast. This bet changes both their lives forever.
Inspiration

The novel partly takes its inspiration from Father and Son, the autobiography of the English poet Edmund Gosse, which describes his relationship with his father, Philip Henry Gosse.
Film

Main article: Oscar and Lucinda (film)
A film version released in 1997 was directed by Gillian Armstrong and starred Ralph Fiennes, Cate Blanchett, and Tom Wilkinson.
External links

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Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. In the early parts of this lushly written book, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces. Young Oscar, denied the heavenly fruit of a Christmas pudding by his cruelly stern father, forever renounces his father's religion in favor of the Anglican Church. "Dear God," Oscar prays, "if it be Thy will that Thy people eat pudding, smite him!" Lucinda's childhood trauma involves a beautiful doll bought by her struggling mother with savings from the jam jar; in a misguided attempt to tame the doll's unruly curls, young Lucinda mutilates her treasure beyond repair. Neither of these coming-of-age stories quite explains how the grownup Oscar and Lucinda each develop a guilty passion for gambling. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances. When the two finally meet, on board a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness, and their awkwardly blossoming (but unexpressed) mutual affection. Their final high-stakes folly--transporting a crystal palace of a church across (literally) godforsaken terrain--strains plausibility, and events turn ghastly as Oscar plays out his bid for Lucinda's heart. Yet even the unconvincing plot turns are made up for by Carey's rich prose and the tale's unpredictable outcome. Although love proves to be the ultimate gamble for Oscar and Lucinda, the story never strays too far from the terrible possibility that even the most thunderstruck lovers can remain isolated in parallel lives.
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Storyline

In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him through a sign to leave his father and his faith and join the Church of England. Lucinda is a teen-aged Australian heiress who has an almost desperate desire to liberate her sex from the confines of the male-dominated culture of the Australia of that time. She buys a glass factory and has a dream of building a church made almost entirely of glass, and then transporting it to the Australian Outback. Oscar and Lucinda meet on a ship going to Australia; once there, they are for different reasons ostracized from society, and as a result "join forces" together. Oscar and Lucinda are both passionate gamblers, and Lucinda bets Oscar her entire inheritance that he cannot transport the glass church to the Outback safely... Written by M.E. Nelson