الموضوع
:
ما سر "الروعة" في افضل مائة رواية عالمية؟ دراسة بحثية
عرض مشاركة واحدة
12-14-2011, 10:26 PM
المشاركة
283
ايوب صابر
مراقب عام سابقا
اوسمتي
مجموع الاوسمة
: 4
تاريخ الإنضمام :
Sep 2009
رقم العضوية :
7857
المشاركات:
12,768
والان مع سر الروعة في رواية:
87
ـ مثلث نيويورك،
للمؤلف
بول
اوستر
.
The New York Trilogy
is a series of
novels
by
Paul Auster
. Originally published sequentially as
City of Glass
(
1985
),
Ghosts
(
1986
) and
The Locked Room
(
1986
), it has since been collected into a single volume.
Plot introduction
Ostensibly presented as
detective fiction
, the stories of
The New York Trilogy
have been described as "meta-detective-fiction", "anti-detective fiction", "mysteries about mysteries", a "strangely humorous working of the detective novel", "very soft-boiled", a "metamystery" and a "mixture between the detective story and the
nouveau roman
"[
citation needed
]. This may classify Auster as a
postmodern
writer whose works are influenced by the "classical literary movement" of American
postmodernism
through the 1960s and 70s[
citation needed
]. There is, however, "a certain coherence in the narrative discourse, a neo-realistic approach and a show of responsibility for social and moral aspects going beyond mere
metafictional
and subversive elements"[
citation needed
], which distinguish him from a "traditional" postmodern writer.
The New York Trilogy
is a particular form of postmodern detective fiction which still uses well-known elements of the detective novel (the classical and
hardboiled
varieties, for example) but also creates a new form that links "the traditional features of the genre with the experimental, metafictional and ironic features of postmodernism."
A
2006
reissue by
Penguin Books
is fronted by new
pulp magazine
-style covers by comic book illustrator
Art Spiegelman
]
City of Glass
The first story,
City of Glass
, features a detective-fiction
writer
become
private investigator
who descends into
madness
as he becomes embroiled in a case. It explores layers of
identity
and
reality
, from Paul Auster the writer of the novel to the unnamed "author" who reports the events as reality to "Paul Auster the writer", a character in the story, to "Paul Auster the detective", who may or may not exist in the novel, to Peter Stillman the younger to Peter Stillman the elder and, finally, to Daniel Quinn,
protagonist
.
Ghosts
The second story,
Ghosts
, is about a private eye called Blue, trained by Brown, who is investigating a man named Black on Orange Street for a client named White. Blue writes written reports to White who in turn pays him for his work. Blue becomes frustrated and loses himself as he becomes immersed in the life of Black.
The Locked Room
The Locked Room
is the story of a writer who lacks the creativity to produce fiction. Fanshawe,
[1]
his childhood friend, has produced creative work, and when he disappears the writer publishes his work and replaces him in his family. The title is a reference to a "
locked room mystery
", a popular form of early detective fiction.
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