الموضوع
:
هل تولد الحياة من رحم الموت؟؟؟ دراسة بحثية
عرض مشاركة واحدة
06-12-2011, 02:53 PM
المشاركة
801
ايوب صابر
مراقب عام سابقا
اوسمتي
مجموع الاوسمة
: 4
تاريخ الإنضمام :
Sep 2009
رقم العضوية :
7857
المشاركات:
12,768
ادوين ميور
ما الذي صنع شاعرية : ادوين ميور
-
ولد ادوين ميور في منطقة
Hacco
وهو نفس المكان الذي ولدت فيه أمه.
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في العام 1901 وعندما كان في سن التاسعة عشرة فقد والده حقله وانتقلت العائلة إلى جلاسكو .
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مات كل من والده واثنين من إخوته ووالدته في تتابع قريب وفي بحر سنوات قليلة.
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حياته وهو صغير كانت تجربة باعثه على الكآبة والألم.
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عمل في عدة أشغال مريعة في المصانع والمكاتب ومنها في مصنع يعمل على تحويل العظام إلى فحم.
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عانى نفسيا بصورة مدمرة .
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لكن يبدو أن الشاعر في سنواته اللاحقة انتفع من تلك المرارة التي اختبرها في حياته.
Edwin Muir
Was born on (15 May 1887 – 3 January 1959) was an
Orcadian
poet, novelist and translator born on a farm in Deerness on the
Orkney Islands
. Remembered for his deeply felt and vivid poetry in plain, unostentatious language with few stylistic preoccupations.
Biography
Edwin Muir
was born in Deerness, where his mother was also born, at Hacco, remembered in his autobiography as "Haco". In 1901, when he was 14, his father lost his farm, and the family moved to Glasgo.
In quick succession his father, two brothers, and his mother died within the space of a few years.
His life as a young man was a depressing experience, and involved a raft of unpleasant jobs in factories and offices, including working in a factory that turned bones into charcoal
]
He suffered psychologically in a most destructive way, although perhaps the poet of later years benefited from these experiences as much as from his Orkney 'Eden'."
Work
His childhood in remote and unspoiled Orkney represented an idyllic
Eden
to Muir, while his family's move to the city corresponded in his mind to a deeply disturbing encounter with the "fallen" world. The emotional tensions of that dichotomy shaped much of his work and deeply influenced his life. His psychological distress led him to undergo
Jungian analysis
in London. A vision in which he witnessed the
creation
strengthened the Edenic myth in his mind, leading him to see his life and career as the working-out of an
archetypal
fable. In his
Autobiography
he wrote, "the life of every man is an endlessly repeated performance of the life of man...". He also expressed his feeling that our deeds on earth constitute "a myth which we act almost without knowing it." Alienation, paradox, the existential dyads of good and evil, life and death, love and hate, and images of journeys, labyrinths, time and places fill his work.
His
Scott and Scotland
advanced the claim that Scotland can only create a national literature by writing in English, an opinion which placed him in direct opposition to the
Lallans
movement of
Hugh MacDiarmid
. He had little sympathy for
Scottish nationalism
.
In 1965 a volume of his selected poetry was edited and introduced by
T. S. Eliot
. Many of Edwin and Willa Muir's translations of German novels are still in print.
The following quotation expresses the basic existential dilemma of Edwin Muir's life:
"I was born before the
Industrial Revolution
, and am now about two hundred years old. But I have skipped a hundred and fifty of them. I was really born in 1737, and till I was fourteen no time-accidents happened to me. Then in 1751 I set out from Orkney for Glasgow. When I arrived I found that it was not 1751, but 1901, and that a hundred and fifty years had been burned up in my two day's journey. But I myself was still in 1751, and remained there for a long time. All my life since I have been trying to overhaul that invisible leeway. No wonder I am obsessed with Time." (Extract from Diary 1937-39.)
Works
We moderns: enigmas and guesses
, written with the pseudonym Edward Moore, London, G. Allen & Unwin Ltd., 1918
Latitudes
, New York, B. W. Huebsch, inc., 1924
First poems
, London, Hogarth Press, 1925
Chorus of the newly dead
, London, L. & V. Woolf at the Hogarth Press, 1926
Transition: essays on contemporary literature
, London, L. and V. Woolf at the Hogarth Press, 1926
The marionette
, London, L. & V. Woolf at the Hogarth Press, 1927
The structure of the novel
, London, L. & V. Woolf, 1928.
John Knox: portrait of a Calvinist
, London, J. Cape, 1929.
The three brothers
, London, W. Heinemann ltd., 1931
Poor Tom
, London, J. M. Dent & sons, ltd., 1932
Variations on the time theme
, London, J. M. Dent & sons ltd., 1934
Scottish journey
London, W. Heinemann, ltd., in association with V. Gollancz, ltd., 1935
Journeys and places
, London, J.M. Dent & sons, ltd., 1937
The present age from 1914
, London, The Cresset press, 1939
The story & the fable, an autobiography
, London, G. G. Harrap & co. ltd., 1940
The narrow place
, London, Faber and Faber, 1943
The Scots and their country
, London, published for the British council by Longmans, Green & Co., ltd., 1946
The voyage, and other poems
, London, Faber and Faber, 1946
Essays on literature and society
, London, Hogarth Press, 1949
The labyrinth
, London, Faber and Faber, 1949
Collected poems, 1921-1951
, London, Faber and Faber, 1952
An autobiography
, London : Hogarth Press, 1954
Prometheus
, Illustrated by
John Piper
, London, Faber and Faber, 1954
One foot in Eden
, New York, Grove Press, 1956
New poets, 1959
, Edited by Edwin Muir, London, Eyre & Spottiswoode, 1959
The estate of poetry
, Cambridge, Harvard University Press, 1962
Collected poems
, New York, Oxford University Press, 1965
The politics of King Lear
, New York, Haskell House, 1970
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